The world of cinematic sports
September 25th, 2025
Broadcast vendors are delivering cine-live tools for sports, says Adrian Pennington, opening up a wealth of creative possibilities & opportunities to get fans closer...
Filmmakers on the ethics of true crime
May 14th, 2025
Audiences have never been hungrier for true crime content. But as the genre explodes in popularity, it raises an ethical conundrum for viewers and...
Ed Lister: Self-starter
February 12th, 2023
Ed Lister decided it was high time he upgraded his kit, although he wasn’t sure what would make the cut
Mo-Sys scores at the World Cup
February 7th, 2023
Mo-Sys successfully delivered a major LED virtual production studio for Plazamedia, ahead of its prestigious Fifa World Cup broadcast
Mastering monochrome
February 18th, 2026
DOPs Phedon Papamichael, ASC, GSC, GCA, Edu Grau, ASC, AEC, David Chambille, AFC and Sam Levy share insights into the technical challenges behind black...
Beyond the frame: Immersive storytelling
January 15th, 2026
Charlotte Mikkelborg, acclaimed immersive director and Craig Heffernan, EMEA director at Blackmagic Design, reflect on the promise and pitfalls of immersive storytelling
Standout cinematography 2025
December 9th, 2025
The Definition team round up their top films and shows of the year, celebrating the ideas, talent and tech that made them shine
VFX breakdown – Superman
October 22nd, 2025
It’s a bird, it’s a plane, it’s… another Superman adaptation! We sit down with two VFX supervisors, Stephane Ceretti and Stephane Nazé, who helped...
London calling for BSC Expo 2026
February 10th, 2026
As BSC Expo touches down in London, we take a look at what’s in store
Storyboarder.ai: From Script to Storyboa...
November 18th, 2025
Join the revolution embraced by leading film productions, streaming services and advertising agencies worldwide
Lights, CAMERIMAGE, action!
November 14th, 2025
We take a look at what’s in store for Toruń’s famed festival of cinematography, EnergaCAMERAIMAGE, as it returns with a rich line-up
Learn, explore & connect at the CVP Educ...
November 5th, 2025
Running across four central London venues, this flagship event blends hands-on training, networking opportunities and expert insight from major brands including RED, Blackmagic Design,...
Fujifilm unveils GFX ETERNA 55 dedicated...
September 19th, 2025
Fujifilm are set to launch the new GFX ETERNA 55, the brand’s first dedicated filmmaking camera
Testing the latest film gear: Reference ...
August 18th, 2025
The latest gear, tried & tested in the field
EIZO: 30.5-inch HDR-ready DCI 4K monitor...
August 1st, 2025
What does a post-production monitor need in 2025? EIZO’s ColorEdge CG3100X offers one possible answer
From Soho to anywhere with V Studio
February 18th, 2026
We dig into how V Studio delivered multiple worlds for OREO Night Twist using virtual production
Precision in motion at Broadley Studio
February 17th, 2026
Broadley Studio elevates green screen virtual production with MRMC and Brainstorm
Navigating high seas with the Atomos Nin...
February 12th, 2026
Camera operator Charlotte Maguire shares her experience of the Atomos Ninja TX on an adventurous shoot in The Bahamas
The sky's no limit with CineArray
February 11th, 2026
Always up for a challenge, there’s no production set-up that CineArray can’t help you with. Read how its latest 3+1 array even works with...
Production: Sentimental Value
February 26th, 2026
On Sentimental Value, cinematographer Kasper Tuxen, DFF reunites with director Joachim Trier. He talks shooting on 35mm ARRICAM with Cooke lenses, intimate handheld work...
Production: Bridgerton
February 24th, 2026
As the new season of Netflix’s Bridgerton ventures below stairs for the first time, cinematographer Alicia Robbins, ASC lifts the curtain on the visual...
Production: Avatar: Fire and Ash
February 20th, 2026
DOP Russell Carpenter, ASC talks virtual scouting, performance capture and lighting Pandora in the latest Avatar instalment
Production: Stranger Things
February 16th, 2026
Stranger Things turned the world upside down. As the sci-fi saga comes to a close, we sit down with DOP Caleb Heymann, who explains...
Is Hollywood changing shape?
February 1st, 2026
We skip across the pond to the US, where Hollywood is taking new shape and the production landscape is seeing a major reshuffle
Dynamic Duos: Ben Semanoff & Igor Martin...
December 22nd, 2025
While Black Rabbit is their latest shared credit, director Ben Semanoff and DOP Igor Martinovic go way back. We catch up with the pair,...
International industries: Filmmaking in ...
November 25th, 2025
We shine a light on Poland in the latest entry to our international industry series, diving into the amenities, incentives and other offerings that...
Fireside Chat: Laura Mansfield of Screen...
November 7th, 2025
With a career that spans producer, company founder, creative director and CEO of ScreenSkills, Laura Mansfield brings a deep understanding of the opportunities and...
Nanlux adds Motorised Yoke-L for Evoke 5...
February 13th, 2026
Efficient pan and tilt control for the Nanlux Evoke 5000B and 2400B LED spotlights can now be smoothly achieved with the new YK-E-EVL Motorised...
Nanlite introduces new high-output FC se...
February 6th, 2026
From studio portraits to film sets, Nanlite’s new bi-colour FC-720B and full-colour FC-720C offer 750W of versatile illumination and professional control
Nanlite launches PavoSlim 360C ultra-thi...
January 23rd, 2026
The PavoSlim 360C is a slim LED panel that adapts to any production, from a single fixture to a full multi-panel set-up, delivering even...
Industry briefings: November/December 20...
November 12th, 2025
The latest film and media updates include ICFF returning to Bitola, Wildscreen’s new summit and an insight into NAB NYC 2025
VFX breakdown – The Monkey
April 3rd, 2025
VFX supervisor Edward J Douglas takes us behind the gory insanity of The Monkey
VFX breakdown – Mufasa
February 24th, 2025
Production VFX supervisor Adam Valdez on crafting the Pride Lands for Mufasa
Nara maximises efficiency
February 10th, 2025
The evolving media management platform, Nara, helps Light Iron improve its workflow
Grading Gladiator II
January 9th, 2025
Colourist Stephen Nakamura from Company 3 on his long history of collaboration with Ridley Scott and crafting the look of the new sequel
Production: Sentimental Value
February 26th, 2026
On Sentimental Value, cinematographer Kasper Tuxen, DFF reunites with director Joachim Trier. He talks shooting on 35mm ARRICAM with Cooke lenses, intimate handheld work...
Production: Bridgerton
February 24th, 2026
As the new season of Netflix’s Bridgerton ventures below stairs for the first time, cinematographer Alicia Robbins, ASC lifts the curtain on the visual...
Production: Avatar: Fire and Ash
February 20th, 2026
DOP Russell Carpenter, ASC talks virtual scouting, performance capture and lighting Pandora in the latest Avatar instalment
Production: Stranger Things
February 16th, 2026
Stranger Things turned the world upside down. As the sci-fi saga comes to a close, we sit down with DOP Caleb Heymann, who explains...
Round table: Storage simplified
January 7th, 2026
Blackmagic’s James Townend and Mnemonica’s Piero Costantini discuss the evolving demands of on-set storage, remote workflows and long-term data preservation
Round table: Rental
August 14th, 2025
With the production kit rental sector at a crossroads, we gather a panel of experts to discuss the lay of the land, key challenges...
Round table: Batteries
May 10th, 2025
Experts from IDX, Hawk-Woods and NXTGENbps discuss industry trends and challenges, emerging technologies and the next big disrupter
Round Table: Virtual production
April 14th, 2025
As virtual production matures, fresh opportunities – and challenges – are emerging. Join our expert panel as they explore the shifting landscape
The Def Guide to: Batteries
January 25th, 2024
We hear from battery distributors on the latest trends, tech and tribulations in the world of charging solutions
The Def Guide to: Film Festival Success
September 15th, 2023
Kicking off a new regular feature, our round table of programming pros offer advice for applying to festivals with the best results
Thought Leadership: Nurturing tomorrow's...
March 29th, 2025
Adam Vann, pro visual solutions architect for SCAN, takes a look at virtual production for the next generation
Setting the standard
January 16th, 2025
James Uren, technical director at Mo-Sys Engineering and chair of the SMPTE Tracking Committee, outlines OpenTrackIO, the new protocol for camera tracking in virtual...
Definition X The Flint: Film 2.0
July 16th, 2024
Prevailing wisdom might suggest digital is always more sustainable than physical – but digital capture brings its own environmental issues. The Flint’s Neal Romanek...
Thought Leadership: Scan
April 18th, 2024
Carl Noble, manager of Scan Pro Graphics, delves into bespoke solutions for virtual production
Codex Production Suite 4.5 delivers one ...
April 19th, 2016
Codex is launching Codex Production Suite 4.5, their latest update for the the all-in-one software package that enables the colour grading, review...
AI & the craft: Tools to try
January 29th, 2026
In our latest AI column, we check out five of the best practical tools designed to support, not replace, the creative process
Toolkit: February 2025
March 12th, 2025
All the latest gear and updates, from post-production highlights to camera accessories
Toolkit: August 2024
August 9th, 2024
From a pair of Aputure products to Canon’s radical EOS C400 and some truly EPIC lenses, we round up August’s best new gear
Toolkit: April 2024
April 16th, 2024
Our kitbag is full to the brim this month, with some explosive product launches and a couple of AI-powered solutions given special focus
Ironing out the wrinkles in VP
May 6th, 2025
Phil Rhodes considers how VP is evolving – and the role Zoe Saldaña’s nose plays
The virtual frontier: Getting stuck in
April 15th, 2025
VP is fairly new and rapidly evolving, so organised training courses help filmmakers stay afloat
Round Table: Virtual production
April 14th, 2025
As virtual production matures, fresh opportunities – and challenges – are emerging. Join our expert panel as they explore the shifting landscape
Shooting Sustainably in a Volume
October 29th, 2024
As well as opening up creative possibilities, virtual production offers a way to significantly reduce a shoot’s environmental impact