CINEMATOGRAPHY
DOP Fabian Wagner, ASC, BSC & gaffer Jonny Franklin reflect on crafting the visual world of He-Man’s latest adventure
Oren Soffer, DOP on Adam Wingard’s action flick Onslaught, blended old-school techniques with modern tech to achieve the film’s tactile, retro aesthetic
DOP Adam Newport-Berra, ASC breaks down filming the chaos of The Invite’s single-location dinner party
Writer-director Boots Riley’s second film is even more vibrant and visually absurd than his first – but the ideas are just as important as the execution. We chat with DO...
Combining dragon combat, naval warfare and VFX on an unprecedented scale, the Battle of the Gullet is House of the Dragon’s most ambitious undertaking yet. Lead cinemato...
DOPs Krzysztof Trojnar and Vince Knight talk tackling the horror genre and share their top techniques for building suspense on-screen
Fans have been loud online, voicing a common criticism: that today’s films and TV series look a bit lifeless. We ask filmmakers for an explanation
Andrew Droz Palermo, ASC discusses how colour plays a crucial role in his filmography, from The Green Knight and Marvel’s Thunderbolts* to this year’s Mother Mary
Centred around a group of now twentysomethings, Euphoria has never played by the rules. We catch up with DOP Marcell Rév, HCA, ASC who expanded this season’s aesthetic t...
Janusz Kamiński reveals how practical effects, grounded lighting and realism helped shape Steven Spielberg’s latest extraterrestrial thriller, Disclosure Day