CINEMATOGRAPHY

DOPs Krzysztof Trojnar and Vince Knight talk tackling the horror genre and share their top techniques for building suspense on-screen

Fans have been loud online, voicing a common criticism: that today’s films and TV series look a bit lifeless. We ask filmmakers for an explanation

Andrew Droz Palermo, ASC discusses how colour plays a crucial role in his filmography, from The Green Knight and Marvel’s Thunderbolts* to this year’s Mother Mary

Centred around a group of now twentysomethings, Euphoria has never played by the rules. We catch up with DOP Marcell Rév, HCA, ASC who expanded this season’s aesthetic t...

Janusz Kamiński reveals how practical effects, grounded lighting and realism helped shape Steven Spielberg’s latest extraterrestrial thriller, Disclosure Day

Johanna Coelho, AFC breaks down her favourite moment in Emmy-winning medical drama The Pitt

Sir Roger Deakins, ASC, BSC reflects on his extraordinary 50-year career, from early documentaries to some of the most acclaimed films ever made

Colour science may have evolved, but modern set-ups are not immune to old challenges, discovers Phil Rhodes

Pixar DOP Matt Aspbury discusses all things animation cinematography & Toy Story 5

CVP partnered with Ravensbourne University to enhance their cinematography training & get their students industry-ready. We find out more