Guns Akimbo: Shooting cameras and guns

March 20th, 2020

A dystopian punk tale with 3000 cuts, over 1000 VFX shots and a condensed shooting schedule all shot in 8K and delivered in 4K. DOP...

Mad skills

February 20th, 2020

With a production boom currently under the way in the UK, we asked Screen Skills - the industry-led jobs and learning organisation - if...

Official figures from the BFI reveal the...

January 30th, 2020

The BFI has revealed that international investment in film and television in 2019 generated a huge uplift for the UK economy with £3.07 billion.

On Location

January 24th, 2020

Singing rhinos, skydiving walruses and jowl-thwacking seals. Producers Fredi Devas and Emma Napper reveal how they filmed...

The content country

January 9th, 2020

Back in the early nineties, the UK film business was in trouble due to lack of investment - but heading towards the 2020s, things...

COVID-safe Aerial Filming Measures

July 20th, 2020

In what we hope to be the aftermath of a worldwide pandemic; in an industry that relies heavily on collaborations, Helicopter Film Services has...

Meet the Canon Cinema EOS system

May 12th, 2020

Find your next level with Canon’s world-class system of cinema cameras and lenses

The Aerial Film Company goes green acros...

February 24th, 2020

Innovation and sustainability are at the core of the newly formed Aerial Film Company, as it seeks to answer the production’s every need on-set...

Filming the farce: The Personal History ...

February 24th, 2020

Surely, Armando Iannucci’s brand of comedy couldn’t live anywhere other than television. His shtick is to revel in nonsense and absurdity but couch it...

Pinocchio: Back to its roots

July 24th, 2020

VFX supervisor Theo Demiris talks about creating the visuals for the latest Pinocchio feature, which draws upon Carlo Collodi’s original story

The Last Kingdom: Birth of a nation

July 23rd, 2020

The Last Kingdom is a historical TV series based on the books by Bernard Cornwell. One of the DOPs from Series 4, Tim Palmer,...

The Eddy: All that jazz

May 26th, 2020

Netflix musical drama The Eddy, set among Paris’s vibrant jazz scene, fuses the convention-breaking camerawork of the French new wave with a modern sensibility

All eyes on Mulan

April 23rd, 2020

The latest Disney live-action remake is true to the ancient fable of the warrior Hua Mulan, which meant a PG-13 rating, a large format...

On location with Samsung’s new Portabl...

May 27th, 2020

Photographer and magazine editor Will Cheung needed fast, reliable memory on the move – and it needed to be compact and secure, too. With...

Remote heads

May 5th, 2020

With more and more camera work being done by way of remote head, we talk to some of the biggest players in the game...

Samsung: forward thinking storage

April 30th, 2020

Videographer Richard Jackson recently bought a 6K camera and was worried about transferring the large files – until he used the Samsung Portable SSD...

Shotover: By land, sea & air

April 21st, 2020

In terms of both functions and range of use, Shotover’s bulletproof B1 gimbal system checks all the right boxes 

Through the lens with Tom Martin

May 26th, 2020

We hear from award-winning cinematographer Tom Martin about maintaining a cinematic styling across his diverse body of work, and using the Canon EOS C300...

Compact and versatile: operating Canon's...

May 26th, 2020

Freelance camera operator Mark Hurdle talks to us about why the C200 is such an asset to the industry, and ideal for meeting specific...

The Mill’s co-founder joins the virtua...

March 20th, 2020

Robin Shenfield, co-founder of The Mill, backs Ncam Technology for rapid expansion so much that he joined the compan

Welcome to The End Of The F***ing World

December 17th, 2019

Our favourite teen criminals are finally back – or, at least, one of them definitely is. We speak to DOP Benedict Spence about how...

MY RØDE REEL IS BACK!

August 5th, 2020

Now in its 7th year, RØDE has once again upped the ante with a monumental $1 million in cash to be won

CVP helps to get the industry back to wo...

August 5th, 2020

Initiatives launched to support Film and TV communities

AtomOS 10.51 for Ninja V available now

July 31st, 2020

The new Free AtomOS 10.51 for Ninja V is available now

Introducing: Sony Alpha 7S III

July 29th, 2020

Alpha 7S III provides creators with 4K 120p video, 10-bit 4:2:2 recording, 15+ stop dynamic range, improved AF performance and more

Women in VFX

February 21st, 2020

As part of our series profiling the women in film and television, we highlight the females within the field of visual effects. We talk...

Creative haven

January 23rd, 2020

Production and post innovator, HARBOR, offers clients a forward-thinking environment, while its award-winning talent...

The age of the visualisers

January 10th, 2020

You are a builder of worlds, you sit astride multi-cinematic disciplines with the imagination to foresee complicated but extraordinary movie sequences: you are a...

Future Post Part 1

November 5th, 2019

All the best technologists question the status quo, and in post-production, things have to evolve to manage the current torrent of content.

Codex Production Suite 4.5 delivers one ...

April 19th, 2016

Codex is launching Codex Production Suite 4.5, their latest update for the the all-in-one software package that enables the colour grading, review...

Virtual takeover

July 12th, 2019

Virtual Production wants to use your cinematography skills in its virtual world. but how do you get involved in its inevitable success?

Arraiy for Hollywood

June 20th, 2019

At NAB Show 2019, we interviewed Mark Tobin, new CEO of Arraiy, a Silicon Valley start-up company that is looking to revolutionise virtual capture...

Is VR For Real Or Another 3D? A Report

December 2nd, 2015

With the worlds most recognised companies bank rolling the development of Virtual Reality and Mixed Reality, a lot is being staked on so far...

ASSIMILATE’S SCRATCH FINISH LEAPS PAST...

September 15th, 2015

Assimilate’s Scratch family of products have been around for as long as digital cinematography has needed to do something with its data.