Cinematic broadcasting

February 4th, 2022

Discover the gear that meets the demand for broadcast cameras that offer a crossover with the world of cinema

Official figures from the BFI reveal the...

January 30th, 2020

The BFI has revealed that international investment in film and television in 2019 generated a huge uplift for the UK economy with £3.07 billion.

On Location

January 24th, 2020

Singing rhinos, skydiving walruses and jowl-thwacking seals. Producers Fredi Devas and Emma Napper reveal how they filmed...

The content country

January 9th, 2020

Back in the early nineties, the UK film business was in trouble due to lack of investment - but heading towards the 2020s, things...

Peak power: Creating The Soloist VR

November 24th, 2022

When filming in extreme conditions, having reliable equipment is absolutely paramount

A real fake story

November 23rd, 2022

The man behind a documentary about Thunderbirds creator Gerry Anderson explains why deepfake is not taboo

Stranger than fiction

November 23rd, 2022

With Navalny, Niki Waltl pairs thrilling subject matter with cutting visuals fit for cinema. However, this tale is grounded firmly in reality

CVP: Ransom demands

November 22nd, 2022

A tight schedule, brand-new kit and a huge studio gave Joe Ransom a major challenge shooting a Litepanels commercial. With the help of CVP,...

Samsung: Making waves

November 23rd, 2022

Wakeboard filmmaker Gareth Downing pushes creativity to the extremes. This time, he takes the rapid, rugged Samsung Portable SSD T7 Shield along for the...

CVP: Ransom demands

November 22nd, 2022

A tight schedule, brand-new kit and a huge studio gave Joe Ransom a major challenge shooting a Litepanels commercial. With the help of CVP,...

Filming on the move

November 22nd, 2022

The run-and-gun filmmaker doesn’t have time on their side, requiring robust gear that won’t slow them down. We get advice from documentary makers

Cooke Optics completes zoom lens series

November 7th, 2022

The range’s latest is a lightweight wide-angle

Wildscreen at 40

November 24th, 2022

Sir David Attenborough, Pope Francis, a drag queen and an Amazonian chief mark the festival’s first hybrid event

FilmLight Colour Awards reveal 2022 winn...

November 16th, 2022

The FilmLight Colour Awards winners were announced on Sunday, 13 November at EnergaCAMERIMAGE

72 Films joins forces with Fremantle

November 11th, 2022

ACF advised the partnership, marking their third deal in two months

CVP hosting focus pulling seminars

November 3rd, 2022

The free event is open to camera assistants of all levels

Stranger than fiction

November 23rd, 2022

With Navalny, Niki Waltl pairs thrilling subject matter with cutting visuals fit for cinema. However, this tale is grounded firmly in reality

Blonde ambition

November 2nd, 2022

Chayse Irvin’s Blonde cinematography paints a fragmented fiction of history’s most famed actress – wilfully disruptive and emotionally charged in equal measure

Cloud forecast

November 2nd, 2022

From camera to cloud to remote post-processing, is the industry’s physical media on its last legs? If so, what’s in store – and when?...

Special (effects) agent

November 1st, 2022

Bond turned 60 last month. To celebrate, Definition asked Chris Corbould OBE – the man responsible for visual effects on 15 of the movies...

Drop dead gorgeous

September 26th, 2022

How VFX played a surprisingly large role in making the latest season of Only Murders in the Building an aesthetic tour de force

Sound of Metal: Aural pleasure

April 13th, 2021

Nicolas Becker and Carolina Santana discuss recording inside the human body and emulating deafness

Fake pixels?

April 1st, 2021

We speak to DOP, Eben Bolter, about the growing trend of 4K restoration of early digital cinema

Creative haven

January 23rd, 2020

Production and post innovator, HARBOR, offers clients a forward-thinking environment, while its award-winning talent...

Codex Production Suite 4.5 delivers one ...

April 19th, 2016

Codex is launching Codex Production Suite 4.5, their latest update for the the all-in-one software package that enables the colour grading, review...

A real fake story

November 23rd, 2022

The man behind a documentary about Thunderbirds creator Gerry Anderson explains why deepfake is not taboo

Mind the gap

November 3rd, 2022

Virtual production has transformed from an alternative to traditional production – and is now the accepted norm. But there’s a shortage of people who...

Tech support: CVP and virtual production

September 26th, 2022

In the era of virtual production, the role of first AC has changed, says Jim McLean. He recounts the exciting challenge of a recent...

Rift: Animation continuum

September 9th, 2022

Bridging Unreal Engine and DaVinci Resolve, director Haz Dulull broke the mould with new feature film Rift. Its exciting workflow is more efficient, supremely...