Rosco MIXBOOK

February 12th, 2020

In the new world of programmable LED lighting having a quick and portable way of previsualising colours – like a digital swatch book –...

Black Magic DaVinci Resolve 16 and edito...

December 1st, 2019

We look at the latest iteration of DaVinci Resolve and Blackmagic Design’s new dedicated keyboard hardware.

3XS Evolve NLE 4K

November 6th, 2019

Can Scan’s latest update, the 3XS Evolve NLE 4K, rival its more well-known competitors when it comes to video post-production? Adam Garstone finds out.

Atomos Shogun 7

October 17th, 2019

Long gone are the days when external monitors were just that – to help monitor what the camera is capturing.

User Review: Sony PXW FX9 Camera & Vocas...

March 20th, 2020

Sony continues its full-frame professional video camera line with the new PXW-FX9, a replacement for the bestselling FS7 MKIIand not the more cinematic F55

Review: Blackmagic Pocket 6K Camera

November 4th, 2019

Blackmagic Design recently released its new 6K Pocket Cinema Camera, a Super 35, 6K cinema camera with 13.5 stops of dynamic range.

Fujifilm GFX100

October 16th, 2019

One hundred and two megapixels! That’s a hell of a headline for a stills camera. It seems that Fujifilm has thrown everything at its...

Panasonic S1H: hands-on review

August 29th, 2019

Panasonic’s new S1H is not only the chunkiest full-frame mirrorless camera on the market but packs the biggest punch in terms of spec...

Zoom, Zoom, Zoom

February 14th, 2018

Fujinon has an enviable reputation for its cine lenses but is now concentrating on a wider market. We consider the new MK zooms alongside...

Pure Heavyweight Class

January 3rd, 2017

Cooke’s new 35-140mm Anamorphic zoom lens is a monster in more ways than one. But if you’re lucky enough to try one you may...

USER REVIEW: Cooke Anamorphic Macro 65mm...

February 22nd, 2016

Creative Director of Ember Films, Jonathan Jones took a look at an early example of the Cooke Macro Anamorphic 65mm lens.

REVIEW: Schneider-Kreuznach Xenon FF-Pri...

January 20th, 2016

Originally launched with just three lenses, Schneider’s range of mid-priced primes, designed to cover full-frame 35mm, continues to expand.

Water born - Reflex R15

March 24th, 2020

Cineo's new Reflex R15 LED light has adopted cooling techniques developed in the computer world. We asked Rich Pierceall, VP, LED Operations, to explain...

Litepanel Gemini 1 x 1 soft panel

July 24th, 2019

Litepanels has introduced its smaller version of the 2 x 1 Gemini LED light, but half the size doesn’t mean only half the features.

USER REVIEW: Rotolight NEO On-Camera Lig...

March 19th, 2015

Lighting cameraman and Guild of Television Cameramen council member SIMON EDWARDS tests the the new LED on-camera light from Rotolight.

REVIEW: KYNO Media Manager

January 4th, 2017

As an all-in-one tool for basic media management I think Kyno is a pretty powerful little resource. Being able to view a whole range...

REVIEW: Logic Pro X

June 19th, 2015

The mixer has had a minor overhaul too, with Relative and Trim modes giving you the ability to fine-tune existing automation by riding the...

REVIEW: Apple FCP X 10.2

June 19th, 2015

Ed Catmull, co-founder and president of Pixar, talks in his book ‘Creativity, Inc.’ about “protecting the new”.

Effects Bonanza!

July 18th, 2013

The third party effects are , in the main, excellent – a benefit perhaps of the curated nature of selling through Noise...