February 12th, 2020
In the new world of programmable LED lighting having a quick and portable way of previsualising colours – like a digital swatch book –...
December 1st, 2019
We look at the latest iteration of DaVinci Resolve and Blackmagic Design’s new dedicated keyboard hardware.
November 6th, 2019
Can Scan’s latest update, the 3XS Evolve NLE 4K, rival its more well-known competitors when it comes to video post-production? Adam Garstone finds out.
October 17th, 2019
Long gone are the days when external monitors were just that – to help monitor what the camera is capturing.
March 20th, 2020
Sony continues its full-frame professional video camera line with the new PXW-FX9, a replacement for the bestselling FS7 MKIIand not the more cinematic F55
November 4th, 2019
Blackmagic Design recently released its new 6K Pocket Cinema Camera, a Super 35, 6K cinema camera with 13.5 stops of dynamic range.
October 16th, 2019
One hundred and two megapixels! That’s a hell of a headline for a stills camera. It seems that Fujifilm has thrown everything at its...
August 29th, 2019
Panasonic’s new S1H is not only the chunkiest full-frame mirrorless camera on the market but packs the biggest punch in terms of spec...
February 14th, 2018
Fujinon has an enviable reputation for its cine lenses but is now concentrating on a wider market. We consider the new MK zooms alongside...
January 3rd, 2017
Cooke’s new 35-140mm Anamorphic zoom lens is a monster in more ways than one. But if you’re lucky enough to try one you may...
February 22nd, 2016
Creative Director of Ember Films, Jonathan Jones took a look at an early example of the Cooke Macro Anamorphic 65mm lens.
January 20th, 2016
Originally launched with just three lenses, Schneider’s range of mid-priced primes, designed to cover full-frame 35mm, continues to expand.
March 24th, 2020
Cineo's new Reflex R15 LED light has adopted cooling techniques developed in the computer world. We asked Rich Pierceall, VP, LED Operations, to explain...
July 24th, 2019
Litepanels has introduced its smaller version of the 2 x 1 Gemini LED light, but half the size doesn’t mean only half the features.
March 19th, 2015
Lighting cameraman and Guild of Television Cameramen council member SIMON EDWARDS tests the the new LED on-camera light from Rotolight.
January 4th, 2017
As an all-in-one tool for basic media management I think Kyno is a pretty powerful little resource. Being able to view a whole range...
June 19th, 2015
The mixer has had a minor overhaul too, with Relative and Trim modes giving you the ability to fine-tune existing automation by riding the...
June 19th, 2015
Ed Catmull, co-founder and president of Pixar, talks in his book ‘Creativity, Inc.’ about “protecting the new”.
July 18th, 2013
The third party effects are , in the main, excellent – a benefit perhaps of the curated nature of selling through Noise...