Gear

March 25th, 2026

A deep dive into the world of vintage lenses – why we love them, how to find them and what it takes to bring...

March 20th, 2026

Documentary DOP Tim Cragg tells us about the tools that let him bend light without breaking the bank

February 13th, 2026

September 19th, 2025

Fujifilm are set to launch the new GFX ETERNA 55, the brand’s first dedicated filmmaking camera

August 18th, 2025

The latest gear, tried & tested in the field

August 1st, 2025

What does a post-production monitor need in 2025? EIZO’s ColorEdge CG3100X offers one possible answer

July 9th, 2025

Is it time to think again about what a cinema camera really is? The lines are blurring in interesting ways, finds Adrian Pennington

June 25th, 2025

With its knack for innovation, Aputure is leading the way in eco-conscious, quality-first film lighting, finds Katie Kasperson

May 3rd, 2025

Adrian Pennington explores what 5G and 6G might mean for the future of media production

April 27th, 2025

Gaffer Harlon Haveland discusses his approach to the new Paramount+ series – and how the Aputure INFINIMAT played a critical role

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