POST

VFX supervisor Edward J Douglas takes us behind the gory insanity of The Monkey

Production VFX supervisor Adam Valdez on crafting the Pride Lands for Mufasa

The evolving media management platform, Nara, helps Light Iron improve its workflow

Colourist Stephen Nakamura from Company 3 on his long history of collaboration with Ridley Scott and crafting the look of the new sequel

How VFX played a surprisingly large role in making the latest season of Only Murders in the Building an aesthetic tour de force

Nicolas Becker and Carolina Santana discuss recording inside the human body and emulating deafness

We speak to DOP, Eben Bolter, about the growing trend of 4K restoration of early digital cinema

Production and post innovator, HARBOR, offers clients a forward-thinking environment, while its award-winning talent…

You are a builder of worlds, you sit astride multi-cinematic disciplines with the imagination to foresee complicated but extraordinary movie sequences: you are a visuali...

All the best technologists question the status quo, and in post-production, things have to evolve to manage the current torrent of content.