INTERVIEWS
Writer-director Boots Riley’s second film is even more vibrant and visually absurd than his first – but the ideas are just as important as the execution. We chat with DO...
In the latest of our international industries series, we turn to Brazil – tracing a cinematic tradition shaped by political upheaval that’s enjoying a renewed wave of gl...
A look behind the scenes at how to achieve one of cinema’s oldest tricks
Colourisation and restoration are Gelato VFX’s bread and butter. Its recent work on a Sky History docuseries brings unseen WWII footage to the fore.
Josh Bohoskey breaks down the textured autumnal look of Rooster
From Atonement to Adolescence, the oner has become one of film and TV’s most discussed techniques. Powerful storytelling tool or overhyped gimmick? Seamus McGarvey, ASC,...
VistaVision, Paramount’s once-forgotten widescreen format, is enjoying an unlikely revival. We speak with DOP Robbie Ryan, BSC, ISC and Paramount’s Charlotte Barker to f...
After 30 years telling social-issue stories as a producer, director, executive producer and creative director, Katie Bailiff stepped into the CEO role at Women in Film &...
With a creative partnership of nearly 13 years, DOP Jules O’Loughlin, ACS, ASC and executive producer Dan Shotz see each other as family. We ask what makes them gel
We skip across the pond to the US, where Hollywood is taking new shape and the production landscape is seeing a major reshuffle