VFX supervisor Edward J Douglas takes us behind the gory insanity of The Monkey
How the cutting-edge new LightColor Meter will be a filmmaker’s secret weapon
Benjamin Dynice guides us through Aputure’s latest LED, which is perfectly primed for the world of virtual production
Adam Vann, pro visual solutions architect for SCAN, takes a look at virtual production for the next generation
DOP Lachlan Milne, ASC, ACS, NZCS on his favourite shot in noir thriller Lady in the Lake
Read about how SCAN’s 3XS Systems division developed a new VP workflow for Final Pixel and are backing the next gen of filmmakers
Definition brings you a sneak peek of what’s in store for NAB Show Las Vegas 2025, highlighting the top tech and talks to tune...
Snow White DOP Mandy Walker, AM, ASC, ACS sits down to discuss the process of going from animation to live action – and the...
Named the world’s first Accelerator City by the UN, Liverpool is setting the gold standard in sustainable production practices
Framestore’s CEO of film & episodic delves into the impact of enhanced tax credits, the rise of AI and the need to fill the...
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