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A diesel-free future in the Accelerator ...

March 19th, 2025

Named the world’s first Accelerator City by the UN, Liverpool is setting the gold standard in sustainable production practices

Interview with Fiona Walkinshaw on the V...

March 18th, 2025

Framestore’s CEO of film & episodic delves into the impact of enhanced tax credits, the rise of AI and the need to fill the...

AR and LED graphics in Strictly Come Dan...

March 17th, 2025

For 22 years, reality ballroom show Strictly Come Dancing has dominated the BBC’s Saturday evening slot. Its latest series was all the more magical...

Take 2: The Lion King

March 14th, 2025

Disney’s animated allegory stands out above the pack. We look back on how it was made, from musical numbers to simulated movement

Toolkit: February 2025

March 12th, 2025

All the latest gear and updates, from post-production highlights to camera accessories

Squid Game Season 2: Chae Kyoung-sun on ...

March 10th, 2025

We sit down with Squid Game’s production designer Chae Kyoung-sun to discuss the colours, sets and references that define the latest season

In short: Marion

March 7th, 2025

A work of fiction rooted in reality, Marion’s titular character is the only female bull jumper in France. The film’s directors share the process...

The exchange: Navigating XR

March 5th, 2025

XR is a term being bandied about a lot at the moment, but what exactly is it and what might its potential be in...

Round Table: Aerial filming

March 3rd, 2025

A panel of high-flying aerial specialists gives us the view from the top

Laid: Adding shock value to a darkly com...

February 28th, 2025

In Laid, the murder weapon is sex. DOP Judd Overton brings the shock value to this darkly comedic love story

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