A demigod among men: Percy Jackson and the Olympians

February 20th, 2024

Turning YA phenomenon Percy Jackson into a TV series was the ultimate quest for cinematographer Pierre Gill, CSC. Sticking to the source material, with...

Blow tide: Boat Story

February 16th, 2024

A thrilling series likened to the works of modern Hollywood heavyweights, Boat Story showcases innovative narrative and stylistic elements, enhanced by Vine FX’s visual...

The mouse is out: Mickey’s Mouse Trap

February 15th, 2024

Mickey Mouse goes feral in a controversial new slasher movie. We speak to director Jamie Bailey to get the lowdown

Behind the mask: Scream

February 15th, 2024

Brett Jutkiewicz, cinematographer on Scream (2022) and Scream VI (2023), talks blood, gore and reviving Ghostface for a new generation

Heartbreak hotel: Priscilla

February 14th, 2024

Cinematographer Philippe Le Sourd and colourist Damien Van Der Cruyssen talk creating colour and connection in Sofia Coppola’s Priscilla

American Fiction

February 13th, 2024

Cristina Dunlap catches the tonal shifts in American Fiction, Cord Jefferson’s stinging riposte to Hollywood

Blades of glory: The Boys in the Boat

February 12th, 2024

The Boys in the Boat, George Clooney’s latest foray into directing, tells the true story of the University of Washington-turned-United States Olympic rowing team....

Killer instinct: The Killer

January 15th, 2024

With six unique locations, grading The Killer was never going to be simple. Colourist Eric Weidt shares how he captured the meticulous hitman

Lens logic: Femme

January 14th, 2024

Neo-noir thriller Femme follows two gay men as they wrestle with identity. Katie Kasperson hears from DOP James Rhodes on how both storylines were...

Pure imagination: Wonka

January 11th, 2024

An Oompa Loompa, giraffes and a chocolate waterfall. Will Lawrence talks creating Wonka’s madcap visual effects with Framestore’s Graham Page


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