PRODUCTIONS
Big ambition met indie budget on Bedlam, an upcoming movie set in a 17th-century mental asylum. The project’s DOP & DIT discuss how they maximised their budget
Over the last five years, these short-form, mobile-first films have become a multi-billion-dollar industry. Nicola Foley takes a look at the production process and consi...
From Atonement to Adolescence, the oner has become one of film and TV’s most discussed techniques. Powerful storytelling tool or overhyped gimmick? Seamus McGarvey, ASC,...
Decisively shot on film and on Amazon’s dedicated virtual stage, Fallout’s second season returns us to a visually riveting, wild western dystopian wasteland
On Sentimental Value, cinematographer Kasper Tuxen, DFF reunites with director Joachim Trier. He talks shooting on 35mm ARRICAM with Cooke lenses, intimate handheld work...
As the new season of Netflix’s Bridgerton ventures below stairs for the first time, cinematographer Alicia Robbins, ASC lifts the curtain on the visual rules and camera ...
DOP Russell Carpenter, ASC talks virtual scouting, performance capture and lighting Pandora in the latest Avatar instalment
Stranger Things turned the world upside down. As the sci-fi saga comes to a close, we sit down with DOP Caleb Heymann, who explains how he kept the supernatural, increas...
DOP Ruairí O’Brien, ISC, BSC discusses capturing the vibrant aesthetics of the afterlife in Eternity
DOP Benjamin Loeb, FNF sits down with Definition to discuss A Big Bold Beautiful Journey