PRODUCTIONS
Director Jack Hughes and DOP Ash Connaughton on the Blackmagic URSA Cine 12K LF, exploding sheds, blending genres and finding the right look for Deadheading.
DOP Fabian Wagner, ASC, BSC & gaffer Jonny Franklin reflect on crafting the visual world of He-Man’s latest adventure
Oren Soffer, DOP on Adam Wingard’s action flick Onslaught, blended old-school techniques with modern tech to achieve the film’s tactile, retro aesthetic
DOP Adam Newport-Berra, ASC breaks down filming the chaos of The Invite’s single-location dinner party
As the only remaining manufacturer of colour motion picture film, Kodak played a pivotal role in Christopher Nolan’s The Odyssey
Writer-director Boots Riley’s second film is even more vibrant and visually absurd than his first – but the ideas are just as important as the execution. We chat with DO...
Combining dragon combat, naval warfare and VFX on an unprecedented scale, the Battle of the Gullet is House of the Dragon’s most ambitious undertaking yet. Lead cinemato...
Big ambition met indie budget on Bedlam, an upcoming movie set in a 17th-century mental asylum. The project’s DOP & DIT discuss how they maximised their budget
Over the last five years, these short-form, mobile-first films have become a multi-billion-dollar industry. Nicola Foley takes a look at the production process and consi...
From Atonement to Adolescence, the oner has become one of film and TV’s most discussed techniques. Powerful storytelling tool or overhyped gimmick? Seamus McGarvey, ASC,...