Is it time to think again about what a cinema camera really is? The lines are blurring in interesting ways, finds Adrian Pennington
In the high-pressure world of action sports, Mark Lee-Sing needs gear that’s fast, rugged and reliable. The Samsung Portable SSD T7 Shield is key...
In the first stop on a global world tour, we chat to Anton Mertens, board member of the Belgian Society of Cinematographers, about the...
We speak to the director-DOP team behind Girl and Close about authenticity, open communication and developing a shared cinematic language
As Charlie Brooker’s dystopian tech nightmare basks in the glory of its seventh hit season, we catch up with regular DOP Stephan Pehrsson, BSC...
With its knack for innovation, Aputure is leading the way in eco-conscious, quality-first film lighting, finds Katie Kasperson
At Munich’s Motorworld venue, gear up for Euro Cine Expo 2025, as the show returns to bring together industry professionals and renowned brands from...
DOP Adam Newport-Berra talks lensing The Studio, Seth Rogen’s loving send-up of the filmmaking biz, with Oliver Webb
We don’t know enough about environmental impacts of post-production to make it fully zero carbon, but we know enough to start making changes now,...
We grill Kevin Greene, technical director EMEA at Panavision, on what filmmakers really want from their lenses, how virtual production is reshaping design priorities...
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