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Flint Forum: How to Dump Diesel

February 29th, 2024

Be part of the conversation and contribute to the movement toward sustainable content production by joining the Flint Forum on 29 February

A demigod among men: Percy Jackson and t...

February 20th, 2024

Turning YA phenomenon Percy Jackson into a TV series was the ultimate quest for cinematographer Pierre Gill, CSC. Sticking to the source material, with...

Blow tide: Boat Story

February 16th, 2024

A thrilling series likened to the works of modern Hollywood heavyweights, Boat Story showcases innovative narrative and stylistic elements, enhanced by Vine FX’s visual...

Industry briefings: February 2024

February 15th, 2024

Our regular Industry Briefings feature rounds up what’s new in the biz, from Golden Globes to rumoured mergers

The mouse is out: Mickey's Mouse Trap

February 15th, 2024

Mickey Mouse goes feral in a controversial new slasher movie. We speak to director Jamie Bailey to get the lowdown

Back from the dead: Hammer Films

February 15th, 2024

The iconic Hammer Films has risen from beyond the grave, promising a spinechilling revamp and a new slate of films. Nicola Foley finds out...

Behind the mask: Scream

February 15th, 2024

Brett Jutkiewicz, cinematographer on Scream (2022) and Scream VI (2023), talks blood, gore and reviving Ghostface for a new generation

Cineo to Unveil Reflex R10 at 2024 BSC E...

February 14th, 2024

The Reflex R10 is a compact and powerful LED fixture with innovative liquid-cooling technology, modular design, and advanced colour science

Toolkit: February 2024

February 14th, 2024

Level up your gear with these pioneering product launches, ranging from studio lights and filters to VFX tools

Heartbreak hotel: Priscilla

February 14th, 2024

Cinematographer Philippe Le Sourd and colourist Damien Van Der Cruyssen talk creating colour and connection in Sofia Coppola’s Priscilla

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