The new EIZO ColorEdge CG3100X was tried in a controlled test room environment with a model, lighting and props to gain a realistic and diverse image and put the monitor t...

Experts from two leading equipment hire companies share their views on the state of the sector and how to maximise your relationships with rental partners

In the latest of our international industries series, we turn to Brazil – tracing a cinematic tradition shaped by political upheaval that’s enjoying a renewed wave of globa...

DOPs Krzysztof Trojnar and Vince Knight talk tackling the horror genre and share their top techniques for building suspense on-screen

A look behind the scenes at how to achieve one of cinema’s oldest tricks

Colourisation and restoration are Gelato VFX’s bread and butter. Its recent work on a Sky History docuseries brings unseen WWII footage to the fore.

Josh Bohoskey breaks down the textured autumnal look of Rooster

Fans have been loud online, voicing a common criticism: that today’s films and TV series look a bit lifeless. We ask filmmakers for an explanation

Andrew Droz Palermo, ASC discusses how colour plays a crucial role in his filmography, from The Green Knight and Marvel’s Thunderbolts* to this year’s Mother Mary

Centred around a group of now twentysomethings, Euphoria has never played by the rules. We catch up with DOP Marcell Rév, HCA, ASC who expanded this season’s aesthetic to m...