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The eye of the storm

September 18th, 2023

Nicola Foley meets the makers of The Storm Chaser, a critically acclaimed windsurfing film making waves on the festival circuit

The Definition Guide to... Film Festival...

September 15th, 2023

Kicking off a new regular feature, our round table of programming pros offer advice for applying to festivals with the best results

Full throttle: Gran Turismo

September 14th, 2023

Dynamic and audacious: How DOP Jacques Jouffret created spectacularly real racing scenes for Gran Turismo

Sony’s new CineAlta for solo shooters

September 13th, 2023

The BURANO combines cinematic images with mobility to streamline operations for single camera operators and small film crews

Canon releases cinema prime lenses for E...

September 13th, 2023

The series of RF mount cinema prime lenses are made for professionals in the drama, documentary, music video and large production realms

Hollywood on strike

September 13th, 2023

Will Lawrence reports on a historic shutdown in Hollywood, as the WGA and SAG-AFTRA strikes rage on

Fujifilm develops cinematic broadcast PL...

September 12th, 2023

The Fujinon Duvo 24-300mm will debut at IBC and promises a cinematic look for live broadcast coverage, including sports, concerts, documentary and wildlife

Shock and awe: Oppenheimer

September 12th, 2023

DNEG – sole VFX partner on the dazzling Oppenheimer – shares the inside story of creating history for Christopher Nolan's atomic-age epic

IBC 2023 Preview

September 8th, 2023

As the industry prepares to descend on Amsterdam, Nicola Foley takes a look at what this year’s IBC show has in store

Get the cine look with SP3 prime lenses ...

September 5th, 2023

Cooke Optics provides five cinematic focal lengths for videographers working with mirrorless cameras with SP3 prime lens series release

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