Filmmakers on the ethics of true crime
May 14th, 2025
Audiences have never been hungrier for true crime content. But as the genre explodes in popularity, it raises an ethical conundrum for viewers and...
Ed Lister: Self-starter
February 12th, 2023
Ed Lister decided it was high time he upgraded his kit, although he wasn’t sure what would make the cut
Mo-Sys scores at the World Cup
February 7th, 2023
Mo-Sys successfully delivered a major LED virtual production studio for Plazamedia, ahead of its prestigious Fifa World Cup broadcast
Cinematic broadcasting
February 4th, 2022
Discover the gear that meets the demand for broadcast cameras that offer a crossover with the world of cinema
VFX breakdown – Mickey 17
May 30th, 2025
Chris McLaughlin and Robyn Luckham from DNEG discuss working on Bong Joon Ho’s Mickey 17
VFX breakdown – The Monkey
April 3rd, 2025
VFX supervisor Edward J Douglas takes us behind the gory insanity of The Monkey
Take 2: The Lion King
March 14th, 2025
Disney’s animated allegory stands out above the pack. We look back on how it was made, from musical numbers to simulated movement
Going old school: In-camera optical effe...
February 26th, 2025
In a post-heavy industry, do in-camera optical effects still matter? Phil Rhodes argues that they do – now more than ever
Cine Gear Expo in LA
June 9th, 2025
We review what’s in store for Cine Gear LA, which hits the Universal Studios Lot in early June
Getting ready for South by Southwest fes...
May 27th, 2025
As South by Southwest festival gets ready to touch down in London for its debut European event, we take a look at what’s in...
Showtime for MPTS
April 29th, 2025
With professionals from across the M&E industry set to descend upon Olympia London once again, we pinpoint what to look out for at MPTS
The Game Changer Awards 2025
April 10th, 2025
Welcome to the second edition of our virtual production awards! As the world of VP continues to evolve and the industry adapts and expands,...
5G, 6G and the future of media productio...
May 3rd, 2025
Adrian Pennington explores what 5G and 6G might mean for the future of media production
Lighting MobLand with the Aputure INFINI...
April 27th, 2025
Gaffer Harlon Haveland discusses his approach to the new Paramount+ series – and how the Aputure INFINIMAT played a critical role
Camera to cloud with Adrian Pennington
April 4th, 2025
As C2C gradually becomes the norm, Adrian Pennington speaks to key players for the inside track on where the tech is headed
CVP: Full steam ahead
February 18th, 2025
At 26 years old, Christophe Carcelle knows his limits, yet his CV is quickly filling with a host of impressive projects. We speak to...
CVP: The freedom to film
May 19th, 2025
Stories in Motion winner Olz McCoy details his experiences in documentary filmmaking, starting with Passion, Purpose and Parkinson’s and arriving at Uhuru
Samsung: Seasons in safe hands
May 16th, 2025
The trusty Samsung Portable SSD T9 was perfect for capturing a year at the incredible RHS Garden Wisley
Trailblazers: Katie Bignell at Festival ...
May 9th, 2025
As founder and strategist at Festival Formula, Katie Bignell guides creators through submission, selection and rejection – all par for the course when entering...
Turn up the sound with live music produc...
May 8th, 2025
We explore the top-end production tech that’s turning music performances into immersive experiences
The exchange with Kevin Greene on lenses
June 16th, 2025
We grill Kevin Greene, technical director EMEA at Panavision, on what filmmakers really want from their lenses, how virtual production is reshaping design priorities...
Take 2: The Shining
June 13th, 2025
A definitive horror film that continues to intrigue audiences, The Shining is revered for its innovation and attention to detail. We revisit its set...
Cine Gear Expo in LA
June 9th, 2025
We review what’s in store for Cine Gear LA, which hits the Universal Studios Lot in early June
Behind the shot: Andor Season 2
June 6th, 2025
Christophe Nuyens, SBC captures a magic-hour rave in Andor Season 2
The exchange with Kevin Greene on lenses
June 16th, 2025
We grill Kevin Greene, technical director EMEA at Panavision, on what filmmakers really want from their lenses, how virtual production is reshaping design priorities...
Revolutionary scanning work at Clear Ang...
June 2nd, 2025
Barry Bassett, managing director of VMI, considers the future of production kit rental
Dynamic duos: Paul Dingwall & Alex Winck...
May 4th, 2025
The two halves of this editor-director duo recall their collaborative journey, from Somewhere Boy to Mary & George and, most recently, Spent
The future of production kit rental
April 26th, 2025
Barry Bassett, managing director of VMI, considers the future of production kit rental
Taxes on streaming
June 11th, 2025
The British TV and indie film industries are spiralling as streamers become more powerful. MPs propose market regulations meant to protect British producers and...
Industry briefings: May 2025
June 4th, 2025
May's round-up highlights new partnerships, facility launches and funding opportunities across the industry
Industry briefings: April 2025
May 2nd, 2025
Discover the latest film contests, the newest studios and the hottest gear in this month's edition of industry briefings
Introducing the Bun-G-Ring
February 11th, 2025
The launch of the Bun-G-Ring offers a fast, secure and universal alternative to taping filters
VFX breakdown – The Monkey
April 3rd, 2025
VFX supervisor Edward J Douglas takes us behind the gory insanity of The Monkey
VFX breakdown – Mufasa
February 24th, 2025
Production VFX supervisor Adam Valdez on crafting the Pride Lands for Mufasa
Nara maximises efficiency
February 10th, 2025
The evolving media management platform, Nara, helps Light Iron improve its workflow
Grading Gladiator II
January 9th, 2025
Colourist Stephen Nakamura from Company 3 on his long history of collaboration with Ridley Scott and crafting the look of the new sequel
Take 2: The Shining
June 13th, 2025
A definitive horror film that continues to intrigue audiences, The Shining is revered for its innovation and attention to detail. We revisit its set...
Behind the shot: Andor Season 2
June 6th, 2025
Christophe Nuyens, SBC captures a magic-hour rave in Andor Season 2
Production: The Last of Us
May 29th, 2025
Season 2 of hit survivalist show The Last of Us ushers its main characters into a new era, with higher highs, lower lows and...
Production: Heart Eyes
May 15th, 2025
Stephen Murphy, BSC, ISC, tells us about Heart Eyes, an ode to old-school slashers
Round table: Batteries
May 10th, 2025
Experts from IDX, Hawk-Woods and NXTGENbps discuss industry trends and challenges, emerging technologies and the next big disrupter
Round Table: Virtual production
April 14th, 2025
As virtual production matures, fresh opportunities – and challenges – are emerging. Join our expert panel as they explore the shifting landscape
Round Table: Aerial filming
March 3rd, 2025
A panel of high-flying aerial specialists gives us the view from the top
Round Table: What's Next for PTZs?
January 9th, 2025
As the role of pan-tilt-zoom cameras continues to expand in production workflows, experts consider the trends & tech ahead
The Def Guide to: Batteries
January 25th, 2024
We hear from battery distributors on the latest trends, tech and tribulations in the world of charging solutions
The Def Guide to: Film Festival Success
September 15th, 2023
Kicking off a new regular feature, our round table of programming pros offer advice for applying to festivals with the best results
Thought Leadership: Nurturing tomorrow's...
March 29th, 2025
Adam Vann, pro visual solutions architect for SCAN, takes a look at virtual production for the next generation
Setting the standard
January 16th, 2025
James Uren, technical director at Mo-Sys Engineering and chair of the SMPTE Tracking Committee, outlines OpenTrackIO, the new protocol for camera tracking in virtual...
Definition X The Flint: Film 2.0
July 16th, 2024
Prevailing wisdom might suggest digital is always more sustainable than physical – but digital capture brings its own environmental issues. The Flint’s Neal Romanek...
Thought Leadership: Scan
April 18th, 2024
Carl Noble, manager of Scan Pro Graphics, delves into bespoke solutions for virtual production
Codex Production Suite 4.5 delivers one ...
April 19th, 2016
Codex is launching Codex Production Suite 4.5, their latest update for the the all-in-one software package that enables the colour grading, review...
Toolkit: February 2025
March 12th, 2025
All the latest gear and updates, from post-production highlights to camera accessories
Toolkit: August 2024
August 9th, 2024
From a pair of Aputure products to Canon’s radical EOS C400 and some truly EPIC lenses, we round up August’s best new gear
Toolkit: April 2024
April 16th, 2024
Our kitbag is full to the brim this month, with some explosive product launches and a couple of AI-powered solutions given special focus
Toolkit: Strada
April 12th, 2024
Michael Cioni gives Nicola Foley the lowdown on Strada, a new AI-enabled cloud platform for creatives
Ironing out the wrinkles in VP
May 6th, 2025
Phil Rhodes considers how VP is evolving – and the role Zoe Saldaña’s nose plays
The virtual frontier: Getting stuck in
April 15th, 2025
VP is fairly new and rapidly evolving, so organised training courses help filmmakers stay afloat
Round Table: Virtual production
April 14th, 2025
As virtual production matures, fresh opportunities – and challenges – are emerging. Join our expert panel as they explore the shifting landscape
Shooting Sustainably in a Volume
October 29th, 2024
As well as opening up creative possibilities, virtual production offers a way to significantly reduce a shoot’s environmental impact
