Ed Lister: Self-starter

February 12th, 2023

Ed Lister decided it was high time he upgraded his kit, although he wasn’t sure what would make the cut

Mo-Sys scores at the World Cup

February 7th, 2023

Mo-Sys successfully delivered a major LED virtual production studio for Plazamedia, ahead of its prestigious Fifa World Cup broadcast

Cinematic broadcasting

February 4th, 2022

Discover the gear that meets the demand for broadcast cameras that offer a crossover with the world of cinema

Official figures from the BFI reveal the...

January 30th, 2020

The BFI has revealed that international investment in film and television in 2019 generated a huge uplift for the UK economy with £3.07 billion.

Take 2: The Lion King

March 14th, 2025

Disney’s animated allegory stands out above the pack. We look back on how it was made, from musical numbers to simulated movement

Going old school: In-camera optical effe...

February 26th, 2025

In a post-heavy industry, do in-camera optical effects still matter? Phil Rhodes argues that they do – now more than ever

VFX breakdown – Mufasa

February 24th, 2025

Production VFX supervisor Adam Valdez on crafting the Pride Lands for Mufasa

Taking stock – Shooting on film

February 23rd, 2025

We might be deep into the digital cine age, but top cinematographers can’t seem to resist good old-fashioned celluloid. We dig into the enduring...

What happens in Vegas: NAB 2025 preview

March 26th, 2025

Definition brings you a sneak peek of what’s in store for NAB Show Las Vegas 2025, highlighting the top tech and talks to tune...

Registration is now open for MPTS 2025

February 22nd, 2025

MPTS has opened registration for its upcoming show featuring an expanded programme of content

ISE 2025's success in Barcelona

February 19th, 2025

ISE 2025 showcases cutting-edge AV innovation, AI insights from keynote speaker Brian Solis, and unparalleled networking opportunities

BSC Expo 2025: London calling

February 13th, 2025

BSC Expo is back for another exciting year, promising a hoard of product releases and high-impact events. We set the stage for what to...

CVP: Full steam ahead

February 18th, 2025

At 26 years old, Christophe Carcelle knows his limits, yet his CV is quickly filling with a host of impressive projects. We speak to...

Lux Aeterna: Out of this world

February 17th, 2025

We discover how Lux Aeterna delivered stellar visuals for BBC Studios’ Solar System

Samsung: Stream if you want to go faster...

February 14th, 2025

Nine-camera coverage of a sporting event proved the Samsung Portable SSD T7 Shield is a fast mover

Blackmagic Design releases URSA Cine 12K...

February 7th, 2025

For filmmakers who already have all the kit, the URSA Cine 12K LF Body presents a cost-effective alternative

Scan: Education in effects

March 27th, 2025

Read about how SCAN’s 3XS Systems division developed a new VP workflow for Final Pixel and are backing the next gen of filmmakers

A diesel-free future in the Accelerator ...

March 19th, 2025

Named the world’s first Accelerator City by the UN, Liverpool is setting the gold standard in sustainable production practices

The exchange: Navigating XR

March 5th, 2025

XR is a term being bandied about a lot at the moment, but what exactly is it and what might its potential be in...

Industry Briefings: February 2025

February 15th, 2025

Explore the latest industry updates for the world of film and TV for February 2025

What happens in Vegas: NAB 2025 preview

March 26th, 2025

Definition brings you a sneak peek of what’s in store for NAB Show Las Vegas 2025, highlighting the top tech and talks to tune...

Snow White: A fairytale reborn

March 25th, 2025

Snow White DOP Mandy Walker, AM, ASC, ACS sits down to discuss the process of going from animation to live action – and the...

Interview with Fiona Walkinshaw on the V...

March 18th, 2025

Framestore’s CEO of film & episodic delves into the impact of enhanced tax credits, the rise of AI and the need to fill the...

AR and LED graphics in Strictly Come Dan...

March 17th, 2025

For 22 years, reality ballroom show Strictly Come Dancing has dominated the BBC’s Saturday evening slot. Its latest series was all the more magical...

Interview with Fiona Walkinshaw on the V...

March 18th, 2025

Framestore’s CEO of film & episodic delves into the impact of enhanced tax credits, the rise of AI and the need to fill the...

In short: Marion

March 7th, 2025

A work of fiction rooted in reality, Marion’s titular character is the only female bull jumper in France. The film’s directors share the process...

The exchange: Navigating XR

March 5th, 2025

XR is a term being bandied about a lot at the moment, but what exactly is it and what might its potential be in...

Interview – Ben Saffer

February 4th, 2025

Ben Saffer captures an intimate drama with the URSA Cine 12K LF and Cooke S8s

Introducing the Bun-G-Ring

February 11th, 2025

The launch of the Bun-G-Ring offers a fast, secure and universal alternative to taping filters

Win a £200 MPB Voucher!

December 3rd, 2024

This festive season, Definition and MPB are spreading the Christmas cheer by giving one lucky reader a £200 voucher to splurge on MPB’s incredible...

Cooke and Fujifilm Event: Large Format C...

October 1st, 2024

Join Cooke and Fujifilm on October 10 at the Cooke London Gallery to explore large format cinema solutions, featuring hands-on tests with Fujifilm cameras...

Godox Showcases Advanced Lighting Techno...

June 15th, 2024

Explore Godox's newest cinematic lighting solutions presented at Cine Gear LA 2024, with live demonstrations by industry professionals Travis Wears and Jameson Brooks

VFX breakdown – Mufasa

February 24th, 2025

Production VFX supervisor Adam Valdez on crafting the Pride Lands for Mufasa

Nara maximises efficiency

February 10th, 2025

The evolving media management platform, Nara, helps Light Iron improve its workflow

Grading Gladiator II

January 9th, 2025

Colourist Stephen Nakamura from Company 3 on his long history of collaboration with Ridley Scott and crafting the look of the new sequel

Drop dead gorgeous

September 26th, 2022

How VFX played a surprisingly large role in making the latest season of Only Murders in the Building an aesthetic tour de force

Snow White: A fairytale reborn

March 25th, 2025

Snow White DOP Mandy Walker, AM, ASC, ACS sits down to discuss the process of going from animation to live action – and the...

AR and LED graphics in Strictly Come Dan...

March 17th, 2025

For 22 years, reality ballroom show Strictly Come Dancing has dominated the BBC’s Saturday evening slot. Its latest series was all the more magical...

Squid Game Season 2: Chae Kyoung-sun on ...

March 10th, 2025

We sit down with Squid Game’s production designer Chae Kyoung-sun to discuss the colours, sets and references that define the latest season

Laid: Adding shock value to a darkly com...

February 28th, 2025

In Laid, the murder weapon is sex. DOP Judd Overton brings the shock value to this darkly comedic love story

Round Table: Aerial filming

March 3rd, 2025

A panel of high-flying aerial specialists gives us the view from the top

Round Table: What's Next for PTZs?

January 9th, 2025

As the role of pan-tilt-zoom cameras continues to expand in production workflows, experts consider the trends & tech ahead

Round Table: Broadcast Technology

October 30th, 2024

Experts weigh in on the cutting-edge trends in broadcast tech, revealing how they’re shaping storytelling and revolutionising the viewer experience

Round Table: Lenses

September 21st, 2024

Four experts zoom in on the future of optics, exploring recent key developments and predicting where lens technology might be headed 

The Def Guide to: Batteries

January 25th, 2024

We hear from battery distributors on the latest trends, tech and tribulations in the world of charging solutions

The Def Guide to: Film Festival Success

September 15th, 2023

Kicking off a new regular feature, our round table of programming pros offer advice for applying to festivals with the best results

Setting the standard

January 16th, 2025

James Uren, technical director at Mo-Sys Engineering and chair of the SMPTE Tracking Committee, outlines OpenTrackIO, the new protocol for camera tracking in virtual...

Definition X The Flint: Film 2.0

July 16th, 2024

Prevailing wisdom might suggest digital is always more sustainable than physical – but digital capture brings its own environmental issues. The Flint’s Neal Romanek...

Thought Leadership: Scan

April 18th, 2024

Carl Noble, manager of Scan Pro Graphics, delves into bespoke solutions for virtual production

Thought Leadership: Pixotope

April 5th, 2024

Marcus B Brodersen, CEO at Pixotope, chronicles the impact of VP 

Codex Production Suite 4.5 delivers one ...

April 19th, 2016

Codex is launching Codex Production Suite 4.5, their latest update for the the all-in-one software package that enables the colour grading, review...

Toolkit: February 2025

March 12th, 2025

All the latest gear and updates, from post-production highlights to camera accessories

Toolkit: August 2024

August 9th, 2024

From a pair of Aputure products to Canon’s radical EOS C400 and some truly EPIC lenses, we round up August’s best new gear

Toolkit: April 2024

April 16th, 2024

Our kitbag is full to the brim this month, with some explosive product launches and a couple of AI-powered solutions given special focus

Toolkit: Strada

April 12th, 2024

Michael Cioni gives Nicola Foley the lowdown on Strada, a new AI-enabled cloud platform for creatives 

Shooting Sustainably in a Volume

October 29th, 2024

As well as opening up creative possibilities, virtual production offers a way to significantly reduce a shoot’s environmental impact 

Sky's the Limit

July 21st, 2024

Adrian Pennington speaks to the experts, discovering how to create spectacular skyscapes using virtual production

Driving Scenes: Virtual Production

July 1st, 2024

Creating compelling driving shots used to be a headache – but virtual production has reinvented the wheel. Adrian Pennington speaks to the pros

CVP for Sustainability

June 27th, 2024

CVP’s technical consultant Callum Buckley and technical sales consultant Jason Grey study the environmental benefits of virtual production