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Insight

Cruella: Two sides to every story

June 7th, 2021

Nicolas Karakatsanis reveals why he used two different sensors to capture the origin story of Cruella

Gunda: A pig’s life

June 1st, 2021

Gunda employs careful filmmaking techniques to offer an intimate look at the lives of a sow and her piglets

A reason to take off your pyjamas

May 5th, 2021

Senior box office analyst Delphine Lievens outlines how cinemas will operate in a world of home entertainment

Behind Her Eyes: Good, clean thrills

May 5th, 2021

Felix Wiedemann captured clear and detailed imagery for Behind Her Eyes. He talks naturalism, nightmares and more

Boys on film

April 13th, 2021

We speak to DOPs, Miles Ridgway and Spike Morris, about celluloid’s rise in short-form video

Minari: Organic filmmaking

April 1st, 2021

Oscar-tipped Minari pairs a heartfelt, coming-of-age story with beautifully understated cinematography from DOP Lachlan Milne

Camera rental: What’s new?

January 25th, 2021

By discussing a range of trending topics with leading rental houses, we uncover the future of video production

Virtual landscape: The Lion King

January 18th, 2021

In an awards season retrospective, we hear from Audrey Ferrara about The Lion King’s ground-breaking VFX work

HDR: The future is now

January 15th, 2021

We talk to the creatives at every stage of HDR's use to find out where we stand – and what the future holds

Painting a story: The Devil All the Time

December 23rd, 2020

The Devil All the Time is many things, not least beautiful. Cinematographer Lol Crawley tells us just how he did it

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