Lights Camera Assimilate Action

February 25th, 2019

In some productions it’s not acceptable just to shoot what you see, now you have to shoot all that’s available to see.

Confessions from a Rental Company 2019

February 19th, 2019

This time last year we ran a rental special. now we revisit the topic to find out what’s changed in 2018.

Working with Beasts

February 18th, 2019

For the new Fantastic Beasts movie, Technicolor managed a huge and complex pipeline from dailies to deliverables.

Weird Wide Web

February 18th, 2019

Cinematographer Pedro Luque shot the new movie from the Dragon Tattoo series with a large format aesthetic, but it wasn’t all about a shallow...

Dark Vision

February 18th, 2019

DOP Stephen Murphy explains how he approached this bleak Irish period drama – particularly the lighting design.


February 5th, 2019

A new documentary will feature jetmen with strapped-on wings, flying at fixed wing speeds – but capturing the flight is just part of the...

Getting over the line

January 10th, 2019

In the world of spin-up, spin-down productions, capital expenditure can be a nightmare. Escape Technology lets you rent hardware, enabling you to work with...

Data Freedom!

January 2nd, 2019

Netflix movie Outlaw King follows Scotland’s Robert the Bruce and his escapades against the old enemy – but the real capture story was the...

Dark Love

January 2nd, 2019

Cold War is the most colourful black & white film you’ll ever see and it could win the Academy Award for Best Foreign Language...


November 26th, 2018

Climber Alex Honnold rehearsed his moves for a year before taking on the mighty El Capitan rock face – without ropes.


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