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Nominees for the 2025 FilmLight Colour A...

November 7th, 2025

This year's FilmLight Colour Awards jury has selected 25 standout nominees across six creative categories, with the winners to be revealed at EnergaCAMERIMAGE

Fireside Chat: Laura Mansfield of Screen...

November 7th, 2025

With a career that spans producer, company founder, creative director and CEO of ScreenSkills, Laura Mansfield brings a deep understanding of the opportunities and...

Samsung: Failsafe storage for fearless f...

November 5th, 2025

When Rob Hutt’s storytelling depended on speed, reliability and creative flow, the Samsung Portable SSD T9 was part of his Failsafe production toolk

Take 2: Psycho

October 29th, 2025

We revisit Alfred Hitchcock’s horror tour de force 65 years after its release, dissecting its ubiquity

International industries: Filmmaking in ...

October 24th, 2025

Ireland is playing host to a rising number of productions across film and television. The Irish Society of Cinematographers ensures local talent isn’t overlooked

VFX breakdown – Superman

October 22nd, 2025

It’s a bird, it’s a plane, it’s… another Superman adaptation! We sit down with two VFX supervisors, Stephane Ceretti and Stephane Nazé, who helped...

Behind the shot: Nobody 2

October 20th, 2025

Callan Green, ACS, NZCS takes us through a disorientating hall of mirrors sequence in action-comedy Nobody 2

Filmmaking course: Aputure and Crew Stud...

October 16th, 2025

A unique partnership between Aputure and Crew Studio is giving filmmakers space to learn, experiment and be inspired. Definition finds out more

Production: Weapons

October 14th, 2025

We catch up with the creative team behind Weapons, unpacking the horror-comedy’s wildest looks and most frightening sound effects – all of which serve...

Industry briefings: September/October 20...

October 10th, 2025

The latest film and media updates include ICFF returning to Bitola, Wildscreen’s new summit and an insight into NAB NYC 2025

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