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Industry briefings: February/March 2026

March 9th, 2026

The latest film and media updates include ICFF returning to Bitola, Wildscreen’s new summit and an insight into NAB NYC 2025

How to work with your film lab

March 4th, 2026

Cinelab’s Thom Trigger talks us through the process

Production: Sentimental Value

February 26th, 2026

On Sentimental Value, cinematographer Kasper Tuxen, DFF reunites with director Joachim Trier. He talks shooting on 35mm ARRICAM with Cooke lenses, intimate handheld work...

Review: Fujifilm GFX Eterna 55

February 25th, 2026

Cinematographers Nick Morris and Ailsa Aikoa get to grips with the hotly anticipated Fujifilm GFX Eterna 55

Production: Bridgerton

February 24th, 2026

As the new season of Netflix’s Bridgerton ventures below stairs for the first time, cinematographer Alicia Robbins, ASC lifts the curtain on the visual...

Production: Avatar: Fire and Ash

February 20th, 2026

DOP Russell Carpenter, ASC talks virtual scouting, performance capture and lighting Pandora in the latest Avatar instalment

From Soho to anywhere with V Studio

February 18th, 2026

We dig into how V Studio delivered multiple worlds for OREO Night Twist using virtual production

Mastering monochrome

February 18th, 2026

DOPs Phedon Papamichael, ASC, GSC, GCA, Edu Grau, ASC, AEC, David Chambille, AFC and Sam Levy share insights into the technical challenges behind black...

Review: Mnemonica

February 17th, 2026

Drawing on their experience across multiple productions, James Vorley and Stephen Walsh each assess how Mnemonica – a review, sharing, collaboration and archiving platform...

Precision in motion at Broadley Studio

February 17th, 2026

Broadley Studio elevates green screen virtual production with MRMC and Brainstorm

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