Industry

Colour special dynamic duos: Greg Fisher & Robbie Ryan

August 29th, 2025

Senior colourist Greg Fisher and DOP Robbie Ryan, BSC, ISC discuss working together – and for Yorgos Lanthimos

Colour special: Quantum dot OLED

August 25th, 2025

What exactly is quantum dot OLED, and what does this technology mean for filmmaking – and beyond? Bram Desmet, CEO at Flanders Scientific, dives...

Colour special: Power palette

August 20th, 2025

DOP Kim Ji-yong and colourist Park Jin-young reveal the creative choices behind the look of Squid Game Season 2

Colour special: Historically accurate colours

August 15th, 2025

Gelato VFX’s Eddy Strickland outlines the processes involved in adding historically accurate colours to vintage film footage

Colour special: Giving skin the star treatment

August 11th, 2025

We sit down with BAFTA-nominated black filmmaker Stewart Kyasimire to discuss the pitfalls and best practices of lighting diverse skin tones

Documentary storytelling through spatial video

August 6th, 2025

TARGO taps into spatial video, stereoscopic 3D and interactive media to serve the story in D-Day: The Camera Soldier – a groundbreaking new immersive...

Colour special: The future of colour in motion picture

August 5th, 2025

Daniele Siragusano, image engineer at FilmLight, considers the impact of machine learning on the craft of the colourist

Colour special: Celebrating the craft of colourists

July 28th, 2025

As the FilmLight Colour Awards return, we speak to this year’s judging panel to find out what makes the initiative so important – and...

Marzano Films: Prehistoric playgrounds

July 24th, 2025

John Marzano, aerial DOP and head of Marzano Films, recounts three surreal months making Jurassic World Rebirth

3D scanning techniques for virtual production workflows

July 23rd, 2025

New mobile 3D scanning techniques can help cinematographers drive new virtual production workflows from the ground up, discovers Adrian Pennington

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