production

October 11th, 2022

Award-winning VFX studio, Milk, moves to London’s Clerkenwell House and introduces eight new hires

September 26th, 2022

In the era of virtual production, the role of first AC has changed, says Jim McLean. He recounts the exciting challenge of a recent...

September 12th, 2022

Not all LEDs are equal, causing headaches for standardising output. We speak to the companies offering solutions to an industry-wide challenge

July 27th, 2022

The immensely popular Bosch saga has returned for a sequel series. For Jeremy Nelson of Moving Target, it demanded VFX nuance and a well-equipped...

May 19th, 2022

Season 2 turned Russian Doll on its head, in every sense. Not least Ula Pontikos’ cinematography, which offers a stunning visual trip through history

April 27th, 2022

Hulu’s Pam & Tommy is a production roller-coaster of celebrity passion and crime. We break down how each female director stepped up.

March 30th, 2022

A new docuseries is shedding light on the darker truths behind Hugh Hefner’s home

February 4th, 2022

DOP Philipp Blaubach reveals everything you need to know about the cinematography on Netflix’s most salacious regency drama, Bridgerton

January 24th, 2022

How anamorphic lenses and a telescoping crane help lure us into a false sense of security in You

January 14th, 2022

The world was blown away by the Korean Netflix sensation Squid Game, but it’s the astonishing sets that have helped it soar into stardom

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