production

November 22nd, 2022

We delve into how Attenborough’s Wonder of Song was filmed in the UK, Germany and Australia – in the midst of the Covid-19 outbreak

November 16th, 2022

The FilmLight Colour Awards winners were announced on Sunday, 13 November at EnergaCAMERIMAGE

November 11th, 2022

ACF advised the partnership, marking their third deal in two months

November 3rd, 2022

The free event is open to camera assistants of all levels

October 11th, 2022

Award-winning VFX studio, Milk, moves to London’s Clerkenwell House and introduces eight new hires

September 26th, 2022

In the era of virtual production, the role of first AC has changed, says Jim McLean. He recounts the exciting challenge of a recent...

September 12th, 2022

Not all LEDs are equal, causing headaches for standardising output. We speak to the companies offering solutions to an industry-wide challenge

July 27th, 2022

The immensely popular Bosch saga has returned for a sequel series. For Jeremy Nelson of Moving Target, it demanded VFX nuance and a well-equipped...

May 19th, 2022

Season 2 turned Russian Doll on its head, in every sense. Not least Ula Pontikos’ cinematography, which offers a stunning visual trip through history

April 27th, 2022

Hulu’s Pam & Tommy is a production roller-coaster of celebrity passion and crime. We break down how each female director stepped up.

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