PRODUCTION

On Sentimental Value, cinematographer Kasper Tuxen, DFF reunites with director Joachim Trier. He talks shooting on 35mm ARRICAM with Cooke lenses, intimate handheld work an...
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As the new season of Netflix’s Bridgerton ventures below stairs for the first time, cinematographer Alicia Robbins, ASC lifts the curtain on the visual rules and camera cra...
Read MoreDOP Russell Carpenter, ASC talks virtual scouting, performance capture and lighting Pandora in the latest Avatar instalment
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Stranger Things turned the world upside down. As the sci-fi saga comes to a close, we sit down with DOP Caleb Heymann, who explains how he kept the supernatural, increasing...
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DOP Ruairí O’Brien, ISC, BSC discusses capturing the vibrant aesthetics of the afterlife in Eternity
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DOP Benjamin Loeb, FNF sits down with Definition to discuss A Big Bold Beautiful Journey
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Erik Vogt-Nilsen reflects on the editing journey behind nineties-set romance-thriller Plainclothes
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DOP Alice Brooks, ASC talks colour theory & creative intent on Wicked and Wicked: For Good
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Cinematographer Tobias Schliessler, ASC shares how he and director Bill Condon reimagined Kiss of the Spider Woman’s strange, subversive story through two distinct visual w...
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Cinematographer Jason Oldak gives us the inside scoop on Loot Season 3’s ambitious desert island opener
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