PRODUCTION

Kim Ji-yong discusses creating ‘quiet visuals’ in Lee Chang-dong’s return to the big screen, Possible Love.

The Social Reckoning cinematographer Jeff Cronenweth talks about revisiting the Facebook story and creating a fresh identity for the sequel.

Oren Soffer, DOP on Adam Wingard’s action flick Onslaught, blended old-school techniques with modern tech to achieve the film’s tactile, retro aesthetic

DOP Adam Newport-Berra, ASC breaks down filming the chaos of The Invite’s single-location dinner party

Writer-director Boots Riley’s second film is even more vibrant and visually absurd than his first – but the ideas are just as important as the execution. We chat with DOP N...

On Sentimental Value, cinematographer Kasper Tuxen, DFF reunites with director Joachim Trier. He talks shooting on 35mm ARRICAM with Cooke lenses, intimate handheld work an...

As the new season of Netflix’s Bridgerton ventures below stairs for the first time, cinematographer Alicia Robbins, ASC lifts the curtain on the visual rules and camera cra...

DOP Russell Carpenter, ASC talks virtual scouting, performance capture and lighting Pandora in the latest Avatar instalment

Stranger Things turned the world upside down. As the sci-fi saga comes to a close, we sit down with DOP Caleb Heymann, who explains how he kept the supernatural, increasing...

DOP Ruairí O’Brien, ISC, BSC discusses capturing the vibrant aesthetics of the afterlife in Eternity