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production

Distorted perspectives

January 24th, 2022

How anamorphic lenses and a telescoping crane help lure us into a false sense of security in You

Setting Squid Game

January 14th, 2022

The world was blown away by the Korean Netflix sensation Squid Game, but it’s the astonishing sets that have helped it soar into stardom

The dark side of fashion

January 14th, 2022

Through use of costume, lighting and locations, House of Gucci brings to life the tragic tale of an iconic Italian family

5G: A new dawn of connectivity

January 14th, 2022

The widespread launch of fifth-generation mobile network technology is on the horizon, but what does it mean for the world of production?

To film or not to film?

January 14th, 2022

How to bring important stories to the world ethically and safely, with the right gear

Bright light and nightlife

January 14th, 2022

DOP Eben Bolter discusses LED screens, HDR monitoring and other colourful solutions for the production of Night Teeth

A light on saints and sinners: The Many Saints of Newark

October 26th, 2021

Kramer Morgenthau on the revival of one of the world's most beloved TV shows for the big screen

In the Deep End: Vigil’s Production Secrets Uncovered

October 8th, 2021

DOP Matt Gray uncovers the production secrets of the BBC’s gripping submarine thriller, Vigil

Official figures from the BFI reveal the highest spend ever on film and television production

January 30th, 2020

The BFI has revealed that international investment in film and television in 2019 generated a huge uplift for the UK economy with £3.07 billion.

One year on

January 28th, 2020

We look at how CVP turned pro video retail on its head in 2019 by opening a five-storey showroom dedicated to first-rate customer service.

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