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Cinematography

Rift: Animation continuum

September 9th, 2022

Bridging Unreal Engine and DaVinci Resolve, director Haz Dulull broke the mould with new feature film Rift. Its exciting workflow is more efficient, supremely...

Pachinko: (Not) Done by the book

September 8th, 2022

Pachinko challenges the viewer to invest early, and reap the benefits of a tale for generations

Spy games in Slow Horses

July 27th, 2022

Oscar-winning actor Gary Oldman’s first TV lead role sees a British espionage drama with a difference – the spies are rubbish. Cinematographer Danny Cohen...

A glittering family affair

July 27th, 2022

The trio of Premista lenses are making waves. Just ask cinematograper Philipp Blaubach BSC, who used them on Bridgerton and new Disney+ series Culprits

Thrill of the chase

July 27th, 2022

The immensely popular Bosch saga has returned for a sequel series. For Jeremy Nelson of Moving Target, it demanded VFX nuance and a well-equipped...

Thar she glows!

July 19th, 2022

In capturing 60K footage and manning a 165ft LED volume for high-seas comedy Our Flag Means Death, Stargate Studios founder Sam Nicholson may just...

Rise of the Robots

July 19th, 2022

From Terminator’s T-1000 to the sentinels of The Matrix, machines often play arch-enemy in front of the camera. But behind it, they’re more helpful...

Going up to Eleven

July 19th, 2022

Stranger Things is back for a fourth season and, as DOP Caleb Heymann tells us, it’s arguably his most challenging project yet

History repeats itself

July 19th, 2022

Arri flexes its muscles with a new camera that harks back to the company’s formative years

Mo-Sys Announces New StarTrackers

July 19th, 2022

Mo-Sys Engineering has announced plans to introduce two new StarTracker products together with an innovative exchange programme.

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