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Cinematography

Welcome To The 4K Future

February 8th, 2014

All Is Lost, starring Robert Redford was shot on an Arri Alexa with Zeiss Standard...

Arri’s Clean Sweep For Best Cinematography At Oscars 2014

February 5th, 2014

Prisoners, nominated for this year's Best Cinematography award. Shot with Arri's Alexa by many times...

UK Colourists Want Their Say On New Cameras With Newly Formed DCA

January 21st, 2014

Sky Drama’s new Fleming was tested with Arri Alexa and the RED Epic....

Helping VFX On The Wolf Of Wall Street – Mark Russell VFX Producer and Supervisor

November 20th, 2013

Mark Russell, VFX Producer on The Wolf Of Wall Street.“Essentially I have huge amounts of...

Basic Instinct – The Shooting Life Of John Conroy

October 10th, 2013

Instinct in a cinematographer for the best possible shot is a moment that has been, in John Conroy’s case, nurtured and fine-tuned over nearly...

Codex Helps Redemption Probe the Chilly Shadows of London’s Mean Streets

July 23rd, 2013

Chris Menges shot mostly in London at night with minimal extra lighting.Redemption – known...

Procam TV Completes Management Buy-out To Support Expansion

May 16th, 2013

The Procam TV management team (L-R) Don Grant, Head of Systems Development; Helen Cardrick, Finance...

Need For Speed’s Need For Cameras

April 18th, 2013

'Need For Speed' the movie is based on the video game.Cinematographer Shane Hurlbut...

Iron Man 3 Gets First Time Digital Cinematography DP

April 18th, 2013

Iron Man 3, shot with Arri Alexa Plus and Phantom Flex cameras on the Codex...

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