Cinematography

‘Want makers’ in Broadcast Resolution Dark Ages

January 7th, 2015

Did you know that most of the TV commercials on UK television that are made...

Holdan To Sell Panasonic’s Flagship 4K VariCam Camera

December 4th, 2014

Holdan's entry in to the highest form of 4K cinematography is very significant.Long term Panasonic...

Channel 5’s first in-house docu-drama used the MōVI M10 rig to bypass traditional Steadicam use.

October 31st, 2014

At the start of this year, 5Production, Channel 5’s in-house production company, was commissioned to make a new presenter-led drama-documentary fronted by historian Dan...

DaVinci Resolve Used for Near-Set Dailies Grading on ‘X-Men: Days of Future Past’

June 5th, 2014

Near-set grading was used on the new X-Men movie including many secondary corrections...

Patient 39

February 10th, 2014

Patient 39 Director of Photography, Oliver Schofield.Patient 39 Director of Photography, Oliver Schofield, has worked...

Welcome To The 4K Future

February 8th, 2014

All Is Lost, starring Robert Redford was shot on an Arri Alexa with Zeiss Standard...

Arri’s Clean Sweep For Best Cinematography At Oscars 2014

February 5th, 2014

Prisoners, nominated for this year's Best Cinematography award. Shot with Arri's Alexa by many times...

UK Colourists Want Their Say On New Cameras With Newly Formed DCA

January 21st, 2014

Sky Drama’s new Fleming was tested with Arri Alexa and the RED Epic....

Helping VFX On The Wolf Of Wall Street – Mark Russell VFX Producer and Supervisor

November 20th, 2013

Mark Russell, VFX Producer on The Wolf Of Wall Street.“Essentially I have huge amounts of...

RUSH Hour – The Need For Speed And Drama

October 11th, 2013

Cinematography

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