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Cinematography

Codex Helps Redemption Probe the Chilly Shadows of London’s Mean Streets

July 23rd, 2013

Chris Menges shot mostly in London at night with minimal extra lighting.Redemption – known...

Procam TV Completes Management Buy-out To Support Expansion

May 16th, 2013

The Procam TV management team (L-R) Don Grant, Head of Systems Development; Helen Cardrick, Finance...

Need For Speed’s Need For Cameras

April 18th, 2013

'Need For Speed' the movie is based on the video game.Cinematographer Shane Hurlbut...

Iron Man 3 Gets First Time Digital Cinematography DP

April 18th, 2013

Iron Man 3, shot with Arri Alexa Plus and Phantom Flex cameras on the Codex...

Giant Steps

April 16th, 2013

Jack The Giant Slayer was Thomas Sigel's first 3D movie.Having worked on movies and documentaries...

Earth Bound: The Oblivion Movie And How To Avoid Blue Screen

April 16th, 2013

The front projection of a 500ft screen gave the DoP and actors a real environment...

How To Save Money On Your Digital Indie Film By Using A 35mm Film Workflow And No DIT

March 27th, 2013

A frame grab from 'Blackwood'Mytherapy has just delivered digital workflow solution for the...

Bill Lovell Obituary

March 27th, 2013

Bill Lovell who was buried yesterdayBill Lovell Obituary Bill Lovell, Head of Digital and...

How To: Do ArriRAW Properly Part Two

March 18th, 2013

ArriRAW post workflow from Sixteen19. CLICK FOR FULL SIZED VERSION.

Shooting And Editing Life Of Pi

February 19th, 2013

Pi in the tank with a CGI Richard Parker. Capturing The Golden...

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