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Cinematography

The speed of light

September 28th, 2022

Shunning big rigs and weighty supports, DOP Danny Vecchione opted for a lighter handheld set-up on his latest movie Down with the King

Emmys 2022: Who should win?

September 10th, 2022

The 74th Primetime Emmys are on 12 September at the Microsoft Theater in LA. Who will win big? We dive into the cinematographic achievements...

Thrill of the chase

July 27th, 2022

The immensely popular Bosch saga has returned for a sequel series. For Jeremy Nelson of Moving Target, it demanded VFX nuance and a well-equipped...

Rise of the Robots

July 19th, 2022

From Terminator’s T-1000 to the sentinels of The Matrix, machines often play arch-enemy in front of the camera. But behind it, they’re more helpful...

Going up to Eleven

July 19th, 2022

Stranger Things is back for a fourth season and, as DOP Caleb Heymann tells us, it’s arguably his most challenging project yet

Mo-Sys Announces New StarTrackers

July 19th, 2022

Mo-Sys Engineering has announced plans to introduce two new StarTracker products together with an innovative exchange programme.

CVP confirm Euro Cine attendance

June 20th, 2022

The stage is set for Euro Cine Expo and CVP will occupy centre stage.

Living in a virtual world

April 27th, 2022

As cutting-edge VP continues to develop, how are traditional workflows being reshaped to fit within the volume? The experts shed some light

Sex, Lies and Videotape

April 27th, 2022

Hulu’s Pam & Tommy is a production roller-coaster of celebrity passion and crime. We break down how each female director stepped up.

Talk of the ton

February 4th, 2022

DOP Philipp Blaubach reveals everything you need to know about the cinematography on Netflix’s most salacious regency drama, Bridgerton

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