CINEMATOGRAPHY

Oren Soffer, DOP on Adam Wingard’s action flick Onslaught, blended old-school techniques with modern tech to achieve the film’s tactile, retro aesthetic

DOP Adam Newport-Berra, ASC breaks down filming the chaos of The Invite’s single-location dinner party

Writer-director Boots Riley’s second film is even more vibrant and visually absurd than his first – but the ideas are just as important as the execution. We chat with DOP N...

Combining dragon combat, naval warfare and VFX on an unprecedented scale, the Battle of the Gullet is House of the Dragon’s most ambitious undertaking yet. Lead cinematogra...

DOPs Krzysztof Trojnar and Vince Knight talk tackling the horror genre and share their top techniques for building suspense on-screen

Andrew Droz Palermo, ASC discusses how colour plays a crucial role in his filmography, from The Green Knight and Marvel’s Thunderbolts* to this year’s Mother Mary

Centred around a group of now twentysomethings, Euphoria has never played by the rules. We catch up with DOP Marcell Rév, HCA, ASC who expanded this season’s aesthetic to m...

Janusz Kamiński reveals how practical effects, grounded lighting and realism helped shape Steven Spielberg’s latest extraterrestrial thriller, Disclosure Day

Johanna Coelho, AFC breaks down her favourite moment in Emmy-winning medical drama The Pitt

Sir Roger Deakins, ASC, BSC reflects on his extraordinary 50-year career, from early documentaries to some of the most acclaimed films ever made