CINEMATOGRAPHY

Kim Ji-yong discusses creating ‘quiet visuals’ in Lee Chang-dong’s return to the big screen, Possible Love.

The Social Reckoning cinematographer Jeff Cronenweth talks about revisiting the Facebook story and creating a fresh identity for the sequel.

From Renaissance paintings to VistaVision, DOP Emmanuel Lubezki breaks down how he crafted the uncanny visual world of 2026 movie Digger.

Director Jack Hughes and DOP Ash Connaughton on the Blackmagic URSA Cine 12K LF, exploding sheds, blending genres and finding the right look for Deadheading.

DOP Fabian Wagner, ASC, BSC & gaffer Jonny Franklin reflect on crafting the visual world of He-Man’s latest adventure

Oren Soffer, DOP on Adam Wingard’s action flick Onslaught, blended old-school techniques with modern tech to achieve the film’s tactile, retro aesthetic

DOP Adam Newport-Berra, ASC breaks down filming the chaos of The Invite’s single-location dinner party

Writer-director Boots Riley’s second film is even more vibrant and visually absurd than his first – but the ideas are just as important as the execution. We chat with DOP N...

Combining dragon combat, naval warfare and VFX on an unprecedented scale, the Battle of the Gullet is House of the Dragon’s most ambitious undertaking yet. Lead cinematogra...

DOPs Krzysztof Trojnar and Vince Knight talk tackling the horror genre and share their top techniques for building suspense on-screen