Toolkit

December 16th, 2022

Introducing line of Apex battery packs and accessories for high powered LED lighting

October 20th, 2022

Cinematographers Harlon Haveland and James Friend to headline the free event

October 19th, 2022

The two LED lights are available now – but only to those who fund the campaign

September 28th, 2022

Shunning big rigs and weighty supports, DOP Danny Vecchione opted for a lighter handheld set-up on his latest movie Down with the King

April 27th, 2022

Wanting unique, consistent looks, without having to resort to older lenses? We round up a selection of manufacturers delivering a solution

February 4th, 2022

We celebrate the optics that shaped the countless iconic looks of TV and film in 2021

January 24th, 2022

How anamorphic lenses and a telescoping crane help lure us into a false sense of security in You

January 14th, 2022

Through use of costume, lighting and locations, House of Gucci brings to life the tragic tale of an iconic Italian family

January 14th, 2022

DOP Eben Bolter discusses LED screens, HDR monitoring and other colourful solutions for the production of Night Teeth

October 26th, 2021

As physical production collides with the virtual, we look at how the quality of LED technology is evolving, on- and off-frame

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