Insight

The new digital puppet masters

July 29th, 2019

Game engines are disrupting the media industry – but really, platforms like Unity are just another tool set.

Changing of the guard

July 22nd, 2019

The Men in Black franchise had to change to keep it fresh. But how to do it without disenfranchising the fans?

Going for the win

July 17th, 2019

The tech side of sports broadcast is constantly evolving with New ways to engage fans and different movement options for broadcast.

Women in Cinematography

July 1st, 2019

Women are rising through the ranks in film production – and have been for some time. meet the female filmmakers, cinematographers and directors who...

Women in Colour

June 27th, 2019

As part of our series profiling women in the FILM industry, we showcase the female colourists on our radar.

Duty calls

June 25th, 2019

Line of Duty DOP Stephen Murphy breaks down his technique to capture Season 5 of this high-octane police drama.

Posting Our Planet

June 20th, 2019

For the first time, a major natural history series has been streamed; but what were the requirements to make it look better...

Born to be Wild

June 20th, 2019

We speak to director Tom Harper and colourist Simone Grattarola about the making of Wild Rose, a new country music drama starring Jessie Buckley...

The Making of Booze, Broads and Blackjack

June 4th, 2019

Adam Beck reveals how to capture a dark and colourful mob movie with Schneider-Kreuznach Xenon Full Frame Prime lenses.

It’s Raining Men, Omen

May 24th, 2019

Or does the apocalypse bring raining locusts? We talk to DOP Gavin Finney about how he created the aesthetic for the impending end.

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