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Cinematography

It’s In The Blood

February 29th, 2012
© ClearStory Ltd / Leo Maguire Documentary maker and stills photographer Leo Maguire spent many...

Case Study: Rampart

December 29th, 2011
Rampart was one of the first movies to record 4:4:4 colour space direct to...

4K Digital Muppets

December 29th, 2011
Muppet - No post house involved until the digital intermediateMichael Cioni from Light Iron Digital...

Codex/ArriRAW Combination Gaining Momentum

December 22nd, 2011
On the set of Extremely Loud and Incredibly CloseExtremely Loud and Incredibly Close, director...

‘Welcome To Leathermill’ – shot on Arri’s ALEXA camera

December 20th, 2011
Russell England, Director: It is said that every director has a feature film script in his or her...

HD Magazine Digital Edition 54 Now Available

December 13th, 2011
Digital Edition 54 is now available for tablet and desktop computers from our iBook storeOur new Digital Edition has features from the US including...

New Heights: Sony’s PMW-F3 Shoots New Berghaus TVC

November 8th, 2011
Director Alastair Lee checks the shot with his F3 rigged above himAlastair Lee is an...

GTC member Michael Brennan wins for ‘Best Risk Shot’ at Golden Eye Festival

October 27th, 2011
A frame from the best risk shot winner at...

Sony Sell More F65 Cameras At IBC 2011

September 14th, 2011
Left Mike Thomas, MD, Top Teks and Adam Fry from Sony AV MediaUK Sales and...

Olympus Make Their High Speed Cameras Available to Broadcasters For The First Time

March 2nd, 2011
The Olympus i-Speed 3 high speed camera, now marketing to broadcastersEveryone knows that everything looks...
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