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Cinematography

Case Study: Like Crazy – Shot on the Canon EOS 7D

March 29th, 2012
'Like Crazy' was a one camera, the EOS 7D, true indie movie that won best...

Creating The World Of John Carter

March 26th, 2012
It may turn out to be one of the biggest box office disasters of all...

It’s In The Blood

February 29th, 2012
© ClearStory Ltd / Leo Maguire Documentary maker and stills photographer Leo Maguire spent many...

Case Study: Rampart

December 29th, 2011
Rampart was one of the first movies to record 4:4:4 colour space direct to...

4K Digital Muppets

December 29th, 2011
Muppet - No post house involved until the digital intermediateMichael Cioni from Light Iron Digital...

Codex/ArriRAW Combination Gaining Momentum

December 22nd, 2011
On the set of Extremely Loud and Incredibly CloseExtremely Loud and Incredibly Close, director...

‘Welcome To Leathermill’ – shot on Arri’s ALEXA camera

December 20th, 2011
Russell England, Director: It is said that every director has a feature film script in his or her...

HD Magazine Digital Edition 54 Now Available

December 13th, 2011
Digital Edition 54 is now available for tablet and desktop computers from our iBook storeOur new Digital Edition has features from the US including...

New Heights: Sony’s PMW-F3 Shoots New Berghaus TVC

November 8th, 2011
Director Alastair Lee checks the shot with his F3 rigged above himAlastair Lee is an...

GTC member Michael Brennan wins for ‘Best Risk Shot’ at Golden Eye Festival

October 27th, 2011
A frame from the best risk shot winner at...
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