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Cinematography

Codex/ArriRAW Combination Gaining Momentum

December 22nd, 2011

On the set of Extremely Loud and Incredibly CloseExtremely Loud and Incredibly Close, director...

‘Welcome To Leathermill’ – shot on Arri’s ALEXA camera

December 20th, 2011

Russell England, Director: It is said that every director has a feature film script in his or her...

HD Magazine Digital Edition 54 Now Available

December 13th, 2011

Digital Edition 54 is now available for tablet and desktop computers from our iBook storeOur new Digital Edition has features from the US including...

New Heights: Sony’s PMW-F3 Shoots New Berghaus TVC

November 8th, 2011

Director Alastair Lee checks the shot with his F3 rigged above himAlastair Lee is an...

GTC member Michael Brennan wins for ‘Best Risk Shot’ at Golden Eye Festival

October 27th, 2011

A frame from the best risk shot winner at...

Sony Sell More F65 Cameras At IBC 2011

September 14th, 2011

Left Mike Thomas, MD, Top Teks and Adam Fry from Sony AV MediaUK Sales and...

Olympus Make Their High Speed Cameras Available to Broadcasters For The First Time

March 2nd, 2011

The Olympus i-Speed 3 high speed camera, now marketing to broadcastersEveryone knows that everything looks...

Dan Mulligan Starts A New Blog – Databank

January 27th, 2011

Cinematographer Dan Mulligan starts his new blog about the Datacentric video worldWell known cinematographer Dan Mulligan has joined HD Magazine online with his take...

New ATOM 3D Rig Bets on RED EPIC Success

January 13th, 2011

Element Technica's new ATOM 3D rig3D rig manufacturers Element Technica has formally launched the...

DreamWorks Animation Lead Stereographer is Keynote for Advanced 3D Day

January 10th, 2011

Phil McNally, Stereoscopic Supervisor, DreamWorks AnimationAs the date for the ‘Advanced 3D’ three-day training...

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