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vfx

MPC FILM TAKES DUMBO TO NEW HEIGHTS

April 10th, 2019

Overall VFX Supervisor Richard Stammers and MPC VFX Supervisor Patrick Ledda oversaw MPC’s teams, made up of more than 1200 artists...

Autodesk Release New Software Tool Flame 2020

April 4th, 2019

The new toolset uses machine learning analysis algorithms to isolate and modify common objects in moving footage—essentially automatically...

Colour Grading Company, Wash, Relocates to New Central London Facility

March 13th, 2019

Following two years of rapid growth, Hackney-born Wash has announced its move to a brand new central London facility as it looks to improve...

The King of the Workstations

March 4th, 2019

HP workstations are the standard across the creative industries in London and beyond. There are some very good reasons for that...

Cooke Optics Presenting New Lenses at NAB 2019

February 27th, 2019

Cooke Optics will be revealing their new range of at NAB 2019 in Las Vegas from 8-11 April 2019.

Valley of the Dolls

February 27th, 2019

Kevin Baillie, VFX supervisor on Welcome to Marwen, explains how he brought the dolls to life.

Leaving the Valley

February 27th, 2019

The Polar Express and A Christmas Carol paved the way for director Robert Zemeckis’ latest feature, in which life-like dolls bring the story to...

Moving Through Virtual Space

February 19th, 2019

Mo-Sys and HP team up to take virtual reality from the stationary to full movement.

Working with Beasts

February 18th, 2019

For the new Fantastic Beasts movie, Technicolor managed a huge and complex pipeline from dailies to deliverables.

VFX Software Shoot-out: Fusion vs Smoke vs Nuke

March 17th, 2015

HP's new generation of Zbook, the G2, has expensive options but all the modern I/Os including Thunderbolt 2. (pictured G1).

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