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vfx

Pinocchio: Back to its roots

July 24th, 2020

VFX supervisor Theo Demiris talks about creating the visuals for the latest Pinocchio feature, which draws upon Carlo Collodi’s original story

The Mill’s co-founder joins the virtual world

March 20th, 2020

Robin Shenfield, co-founder of The Mill, backs Ncam Technology for rapid expansion so much that he joined the compan

Guns Akimbo: Shooting cameras and guns

March 20th, 2020

A dystopian punk tale with 3000 cuts, over 1000 VFX shots and a condensed shooting schedule all shot in 8K and delivered in 4K. DOP...

Creative haven

January 23rd, 2020

Production and post innovator, HARBOR, offers clients a forward-thinking environment, while its award-winning talent...

The age of the visualisers

January 10th, 2020

You are a builder of worlds, you sit astride multi-cinematic disciplines with the imagination to foresee complicated but extraordinary movie sequences: you are a...

From dust till dawn

November 20th, 2019

DOP Justin Brown stays true to his source materials when recreating Philip Pullman’s series of novels for the screen. Plus, we talk to VFX supervisor...

The surge of software

November 7th, 2019

The power and low price of modern software and the grunt of modern workstations have allowed young creatives to dream of starting post studios.

Future Post Part 1

November 5th, 2019

All the best technologists question the status quo, and in post-production, things have to evolve to manage the current torrent of content.

Passing the Crown

October 25th, 2019

DOP Adriano Goldman dissects the new look for Series 3 of the royal drama, now led by the Oscar-winning Olivia Colman

Game Management

August 2nd, 2019

Now the dust has settled on the finale of Game of Thrones, it’s time to look back at the technical story.

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