vfx

Drop dead gorgeous

September 26th, 2022

How VFX played a surprisingly large role in making the latest season of Only Murders in the Building an aesthetic tour de force

Thrill of the chase

July 27th, 2022

The immensely popular Bosch saga has returned for a sequel series. For Jeremy Nelson of Moving Target, it demanded VFX nuance and a well-equipped...

Virtual wonderlands

April 12th, 2022

We speak to the creatives who sparked the digital gunpowder in some of Hollywood’s most explosive blockbusters

Real and Unreal

March 25th, 2022

DNEG’s Huw Evans breaks down the groundbreaking and meta visual effects used to recreate the iconic locations of The Matrix

In the Deep End: Vigil’s Production Secrets Uncovered

October 8th, 2021

DOP Matt Gray uncovers the production secrets of the BBC’s gripping submarine thriller, Vigil

Movie magic: virtual production

September 6th, 2021

Democracy in virtual production is causing an evolution in the technology. We look at how these new tools work

Virtual landscape: The Lion King

January 18th, 2021

In an awards season retrospective, we hear from Audrey Ferrara about The Lion King’s ground-breaking VFX work

Creative haven

January 23rd, 2020

Production and post innovator, HARBOR, offers clients a forward-thinking environment, while its award-winning talent...

The age of the visualisers

January 10th, 2020

You are a builder of worlds, you sit astride multi-cinematic disciplines with the imagination to foresee complicated but extraordinary movie sequences: you are a...

From dust till dawn

November 20th, 2019

DOP Justin Brown stays true to his source materials when recreating Philip Pullman’s series of novels for the screen. Plus, we talk to VFX supervisor...

vfx

Instagram

Newsletter