Cinematography

Shoot Story: ‘In The Heart Of The Sea’

January 27th, 2016

Shooting the movie of the real life events that inspired Moby Dick was never going to be easy, DoP Anthony Dod-Mantle re-visits the watery...

‘SPECTRE’ VFX Breakdown from MPC

January 19th, 2016

For SPECTRE, the 24th James Bond adventure, MPC completed around 300 VFX shots. Led by MPC VFX Supervisor Mark Curtis and Producer Laura Schultz...

Vatican TV Carries On Their 4k Transition With Fujinon Lenses

January 18th, 2016

The principal aim of the Vatican Television Centeris to contribute to spreading the universal message of the Gospel by using television to document the...

Cooke Optics Case Study Their Lenses on new Web Site

December 29th, 2015

Cooke has published a new website just to case study cinematographers who have used their lenses.

Sony Pictures Creates 4K Restoration of Rita Hayworth Musical “Cover Girl”

December 10th, 2015

Sony Pictures Entertainment recently completed an all-new 4K restoration of Cover Girl, director Charles Vidor’s 1944 Technicolor musical that marked one of the first...

Shoot Story: ‘Brooklyn’

December 4th, 2015

Critics have called it restrained, low key even but maybe that is a comparative stance because most of them have lauded the movie as...

‘The Walk’ used the largest amount of cloud computing in film history

November 5th, 2015

VFX studio Atomic Fiction has whisked audiences away to some of the most exciting worlds ever created, from Game of Thrones to Star Trek...

Big Drone For Skateboarding Movie

November 3rd, 2015

The Aerigon UAV is still the only drone that allows payloads to carry the bigger digital cinema cameras like Alexas and REDs. Director Ty...

Shoot Story: Suffragette

October 21st, 2015

The movie Suffragette allowed DoP Edu Grau to use a camera he’d almost forgotten about, the camera gave him the freedom to change his...

MPC lead the visual effects of The Martian

October 12th, 2015

Led by Production VFX Supervisor Richard Stammers, and MPC VFX Supervisors Anders Langlands and Tim Ledbury, the Moving Picture Company were lead visual effects...

Cinematography

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