Cinematography

The Synthetic Shutter

December 23rd, 2016

An accidental meeting between Tony Davis of Tessive and the VP of Technology at Sony introduced synthetic shutter technology to Ang Lee’s 120fps movie...

Bridget is back!

December 23rd, 2016

After 12 years she is still clowning around but this time in digital. We talked with the DoP, colourist and VFX team about how...

HDR For Fleabag

December 22nd, 2016

For those of you watching this BBC ‘not near but on the knuckle’ female angst dramedy, you’ve unwittingly been watching a full blown 4K...

New Issue Of Definition Magazine OUT NOW!

December 2nd, 2016

What you definitely need in your monthly professional video magazine are stories on the best movies and the best television.

The TV epic that tech created

November 10th, 2016

As the epic series has grown in popularity, so have production values on Game of Thrones. We asked the producers about some of the...

Cine Gear Announces 2016 Technical Award-Winners

June 23rd, 2016

Cine Gear has announced the recipients of the 2016 New Technologies Awards as judged by a team of impartial experts at the 2016 Expo...

Jungle Capture

June 15th, 2016

Above: The ARRI Alexa Studio camera follows Mowgli on-set. Simulcam gives the live production crew an idea of where the CG is and the...

Point, Shoot, Compute!

June 10th, 2016

The recent blockbuster 'Jungle Book' pushed the envelope of virtual production. As Lytro launch their Cinema camera we look at other camera systems that...

SHOOT STORY: ‘Deadpool’

June 8th, 2016

First time director of Deadpool Tim Miller with star Ryan Reynolds on-set with ARRI Alexa XT in the background.

European Film And TV Audiences Face Substantial Loss Of Content If EU Plans Go Ahead

May 16th, 2016

Even content that still gets made could suffer from reduced production values, impacting the quality of content available to consumers.

Cinematography

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