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Cinematography

The TV epic that tech created

November 10th, 2016

As the epic series has grown in popularity, so have production values on Game of Thrones. We asked the producers about some of the...

Cine Gear Announces 2016 Technical Award-Winners

June 23rd, 2016

Cine Gear has announced the recipients of the 2016 New Technologies Awards as judged by a team of impartial experts at the 2016 Expo...

Jungle Capture

June 15th, 2016

Above: The ARRI Alexa Studio camera follows Mowgli on-set. Simulcam gives the live production crew an idea of where the CG is and the...

Point, Shoot, Compute!

June 10th, 2016

The recent blockbuster 'Jungle Book' pushed the envelope of virtual production. As Lytro launch their Cinema camera we look at other camera systems that...

SHOOT STORY: ‘Deadpool’

June 8th, 2016

First time director of Deadpool Tim Miller with star Ryan Reynolds on-set with ARRI Alexa XT in the background.

European Film And TV Audiences Face Substantial Loss Of Content If EU Plans Go Ahead

May 16th, 2016

Even content that still gets made could suffer from reduced production values, impacting the quality of content available to consumers.

Anatomy Of A Mirror Shot

May 3rd, 2016

The short film TRIAL (below) was shot on the Alexa and used the Arri Mini to pull off a complex mirror shot. It has just...

NCam Puts Augmented Reality On The Map With Queen’s Award

April 21st, 2016

The unique innovation that makes Ncam such a powerful solution is in its detection system. It uses a combination of multiple sensors, which mount...

DJI Make All Their Cameras Available on OSMO

April 18th, 2016

DJI has introduced Oslo RAW their handheld stabilisation product that now offers the Inspire 1 drone's X5R camera. 

HDR Grade For ‘Allegiant’

April 13th, 2016

Company 3’s Paul Ensby reveals how he used DaVinci Resolve Studio to deliver a HDR grade for the first time on the latest blockbuster...

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