Codex Bring Out Their Own Camera With The Help of Alexa Designers

April 25th, 2014

Codex’s first stab at a camera with help from Solectrix who helped design Arri’s Alexa. Codex announced Codex Action CAM at the NAB 2014...

Codex Digital Bring Out The 4k Raw In The New Panasonic Varicam

April 25th, 2014

Codex's Digital RAW recorder for the new 4k Varicam sets the camera system up for...

Lubezki and Cuarón Test the Limits of Filmmaking Technology on ‘Gravity’

January 22nd, 2014

Still from Gravity.For Gravity, his latest feature film, director Alfonso Cuarón imagined how it might...

Codex Helps Redemption Probe the Chilly Shadows of London’s Mean Streets

July 23rd, 2013

Chris Menges shot mostly in London at night with minimal extra lighting.Redemption – known...

Codex Provides Recording Technology for Douglas Trumbull’s 120 FPS Experimental Short “UFOTOG”

July 11th, 2013

Filmmaking pioneer Douglas Trumbull.Filmmaking Douglas Trumbull recently used Codex recording technology in the production of UFOTOG,...

Iron Man 3 Gets First Time Digital Cinematography DP

April 18th, 2013

Iron Man 3, shot with Arri Alexa Plus and Phantom Flex cameras on the Codex...

NAB 2013: Codex Define Their Workflow Credentials With GoPro And Canon 1D-C Added To Their Support

April 9th, 2013

Codex's S Vault.Even though Codex has provided the recording side of the new Alexa XTs,...

Arri Re-writes Alexa Camera Range

February 20th, 2013

Arri has replaced its entire Alexa range (except for the original model) with the...

Codex/ArriRAW Combination Gaining Momentum

December 22nd, 2011

On the set of Extremely Loud and Incredibly CloseExtremely Loud and Incredibly Close, director...

Codex Digital – The Vault

May 17th, 2011

The Codex Vault has initial support for RED drives, CF cards and SxS cardsCodex Digital...


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