Productions

A glittering family affair

July 27th, 2022

The trio of Premista lenses are making waves. Just ask cinematograper Philipp Blaubach BSC, who used them on Bridgerton and new Disney+ series Culprits

Thrill of the chase

July 27th, 2022

The immensely popular Bosch saga has returned for a sequel series. For Jeremy Nelson of Moving Target, it demanded VFX nuance and a well-equipped...

Thar she glows!

July 19th, 2022

In capturing 60K footage and manning a 165ft LED volume for high-seas comedy Our Flag Means Death, Stargate Studios founder Sam Nicholson may just...

Rise of the Robots

July 19th, 2022

From Terminator’s T-1000 to the sentinels of The Matrix, machines often play arch-enemy in front of the camera. But behind it, they’re more helpful...

Going up to Eleven

July 19th, 2022

Stranger Things is back for a fourth season and, as DOP Caleb Heymann tells us, it’s arguably his most challenging project yet

History repeats itself

July 19th, 2022

Arri flexes its muscles with a new camera that harks back to the company’s formative years

Mo-Sys Announces New StarTrackers

July 19th, 2022

Mo-Sys Engineering has announced plans to introduce two new StarTracker products together with an innovative exchange programme.

DJI…Transmission: Impossible

June 20th, 2022

Has DJI set the bar for transmission with the release of the RS 3, the RS 3 Pro and DJI Transmission? Made for the...

The illusion of time

May 19th, 2022

Season 2 turned Russian Doll on its head, in every sense. Not least Ula Pontikos’ cinematography, which offers a stunning visual trip through history

A ‘creative hub’ for virtual production

May 19th, 2022

Anna Valley’s first-ever director of virtual production, Christina Nowak, believes the company can play an influential role in one of the “biggest revolutions for...

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