Insight

September 6th, 2021

DOP David Katznelson on capturing joy amidst a crisis in the 1980s gay community for highly acclaimed drama, It’s A Sin

August 26th, 2021

Cinematographer Michael Burgess had big shoes to fill for the third instalment of The Conjuring

August 26th, 2021

No recent innovation is as contentious as high frame rate technology. But can it be cracked, and what is its future in film?

June 18th, 2021

ARRI has just announced the opening of its new, state-of-the-art mixed reality studio in the UK

June 18th, 2021

A Quiet Place Part II’s visuals have to speak for themselves. DOP Polly Morgan explains how she shot this action-packed sequel

June 7th, 2021

Nicolas Karakatsanis reveals why he used two different sensors to capture the origin story of Cruella

June 1st, 2021

Gunda employs careful filmmaking techniques to offer an intimate look at the lives of a sow and her piglets

May 5th, 2021

Senior box office analyst Delphine Lievens outlines how cinemas will operate in a world of home entertainment

May 5th, 2021

Felix Wiedemann captured clear and detailed imagery for Behind Her Eyes. He talks naturalism, nightmares and more

April 13th, 2021

We speak to DOPs, Miles Ridgway and Spike Morris, about celluloid’s rise in short-form video

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