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Cinematography

Confessions of a Wildlife Shooter

March 14th, 2017

As natural history programmes increasingly base their cinematic sequences on the narrative, what part of the moviemaking box of tricks should you be looking...

Enter The Grand Tour

January 4th, 2017

We all know the history and what happened next, but the result has been revealed in Amazon’s new show, The Grand Tour. We look behind...

High Frame Rate War

January 3rd, 2017

In our last look at the most technically awaited movie of the year we talk to director Ang Lee’s right-hand man and fellow pioneer...

The Synthetic Shutter

December 23rd, 2016

An accidental meeting between Tony Davis of Tessive and the VP of Technology at Sony introduced synthetic shutter technology to Ang Lee’s 120fps movie...

Bridget is back!

December 23rd, 2016

After 12 years she is still clowning around but this time in digital. We talked with the DoP, colourist and VFX team about how...

HDR For Fleabag

December 22nd, 2016

For those of you watching this BBC ‘not near but on the knuckle’ female angst dramedy, you’ve unwittingly been watching a full blown 4K...

New Issue Of Definition Magazine OUT NOW!

December 2nd, 2016

What you definitely need in your monthly professional video magazine are stories on the best movies and the best television.

The TV epic that tech created

November 10th, 2016

As the epic series has grown in popularity, so have production values on Game of Thrones. We asked the producers about some of the...

Cine Gear Announces 2016 Technical Award-Winners

June 23rd, 2016

Cine Gear has announced the recipients of the 2016 New Technologies Awards as judged by a team of impartial experts at the 2016 Expo...

Jungle Capture

June 15th, 2016

Above: The ARRI Alexa Studio camera follows Mowgli on-set. Simulcam gives the live production crew an idea of where the CG is and the...

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