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Cinematography

Games Without Frontiers

June 6th, 2017

The efficiency of game engines in processing polygons and assets is enabling a live VFX option from feature films to live broadcasters; let the...

Crashing Symbols

June 6th, 2017

A Cure for Wellness is a beautifully made movie that uses all that cinema is good at to play with your mind and assault...

The Sovereign State

March 21st, 2017

Already nominated for awards, Netflix’s huge production, The Crown preserves the highest levels of craft while motoring through the life and times of the first...

Napoleon’s Digital Rise

March 20th, 2017

Abel Gance’s five-hour classic silent movie may well have its greatest version yet in this painstaking restoration for the digital world. Definition talks to...

Magic in the Big Apple

March 16th, 2017

DoP Philippe Rousselot talks about how his shooting vision for Fantastic Beasts was based in reality in order to make the fantastical leap out...

Confessions of a Wildlife Shooter

March 14th, 2017

As natural history programmes increasingly base their cinematic sequences on the narrative, what part of the moviemaking box of tricks should you be looking...

Enter The Grand Tour

January 4th, 2017

We all know the history and what happened next, but the result has been revealed in Amazon’s new show, The Grand Tour. We look behind...

High Frame Rate War

January 3rd, 2017

In our last look at the most technically awaited movie of the year we talk to director Ang Lee’s right-hand man and fellow pioneer...

The Synthetic Shutter

December 23rd, 2016

An accidental meeting between Tony Davis of Tessive and the VP of Technology at Sony introduced synthetic shutter technology to Ang Lee’s 120fps movie...

Bridget is back!

December 23rd, 2016

After 12 years she is still clowning around but this time in digital. We talked with the DoP, colourist and VFX team about how...

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