FILM

The Social Reckoning cinematographer Jeff Cronenweth talks about revisiting the Facebook story and creating a fresh identity for the sequel.

From Renaissance paintings to VistaVision, DOP Emmanuel Lubezki breaks down how he crafted the uncanny visual world of 2026 movie Digger.

As shot-on-film productions dominate awards season this year, we take a tour of the labs at the forefront, combining traditional processing craft with modern digital workfl...

Mnemonica has welcomed Daniele Vilardi as its first sales director, cementing commitment to expansion plans

Placing viewers inside the ABC Sports newsroom while the Munich Olympics terror attack unfolded, authenticity was key for the makers of September 5. DOP Markus Förderer, AS...

We might be deep into the digital cine age, but top cinematographers can’t seem to resist good old-fashioned celluloid. We dig into the enduring appeal and future prospects...

World leading VFX specialist Adam Valdez explains how he filmed nine-inch creatures for a solo project, Brave Creatures

Anton/Bauer unleashes the future of sustainable film and TV production. But how effective is the Salt-E Dog power generator for the media and entertainment industry?

To mirror the cultural revolution of on-film capture, Kodak hosted 25 new productions shot on-film at Cannes Film Festival 2022.

The BFI has revealed that international investment in film and television in 2019 generated a huge uplift for the UK economy with £3.07 billion.