Rosco MIXBOOK
February 12th, 2020
In the new world of programmable LED lighting having a quick and portable way of previsualising colours – like a digital swatch book –...
Black Magic DaVinci Resolve 16 and edito...
December 1st, 2019
We look at the latest iteration of DaVinci Resolve and Blackmagic Design’s new dedicated keyboard hardware.
3XS Evolve NLE 4K
November 6th, 2019
Can Scan’s latest update, the 3XS Evolve NLE 4K, rival its more well-known competitors when it comes to video post-production? Adam Garstone finds out.
Atomos Shogun 7
October 17th, 2019
Long gone are the days when external monitors were just that – to help monitor what the camera is capturing.
Review: Blackmagic Pocket 6K Camera
November 4th, 2019
Blackmagic Design recently released its new 6K Pocket Cinema Camera, a Super 35, 6K cinema camera with 13.5 stops of dynamic range.
Fujifilm GFX100
October 16th, 2019
One hundred and two megapixels! That’s a hell of a headline for a stills camera. It seems that Fujifilm has thrown everything at its...
Panasonic S1H: hands-on review
August 29th, 2019
Panasonic’s new S1H is not only the chunkiest full-frame mirrorless camera on the market but packs the biggest punch in terms of spec...
New Generation
July 25th, 2019
The new generation Blackmagic Ursa Mini Pro G2 is a solid step up with its fast frame rates, Raw shooting and affordable price.
Zoom, Zoom, Zoom
February 14th, 2018
Fujinon has an enviable reputation for its cine lenses but is now concentrating on a wider market. We consider the new MK zooms alongside...
Pure Heavyweight Class
January 3rd, 2017
Cooke’s new 35-140mm Anamorphic zoom lens is a monster in more ways than one. But if you’re lucky enough to try one you may...
USER REVIEW: Cooke Anamorphic Macro 65mm...
February 22nd, 2016
Creative Director of Ember Films, Jonathan Jones took a look at an early example of the Cooke Macro Anamorphic 65mm lens.
REVIEW: Schneider-Kreuznach Xenon FF-Pri...
January 20th, 2016
Originally launched with just three lenses, Schneider’s range of mid-priced primes, designed to cover full-frame 35mm, continues to expand.
Litepanel Gemini 1 x 1 soft panel
July 24th, 2019
Litepanels has introduced its smaller version of the 2 x 1 Gemini LED light, but half the size doesn’t mean only half the features.
USER REVIEW: Rotolight NEO On-Camera Lig...
March 19th, 2015
Lighting cameraman and Guild of Television Cameramen council member SIMON EDWARDS tests the the new LED on-camera light from Rotolight.
REVIEW: KYNO Media Manager
January 4th, 2017
As an all-in-one tool for basic media management I think Kyno is a pretty powerful little resource. Being able to view a whole range...
REVIEW: Logic Pro X
June 19th, 2015
The mixer has had a minor overhaul too, with Relative and Trim modes giving you the ability to fine-tune existing automation by riding the...
REVIEW: Apple FCP X 10.2
June 19th, 2015
Ed Catmull, co-founder and president of Pixar, talks in his book ‘Creativity, Inc.’ about “protecting the new”.
Effects Bonanza!
July 18th, 2013
The third party effects are , in the main, excellent – a benefit perhaps of the curated nature of selling through Noise...
