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Interviews

Drop dead gorgeous

September 26th, 2022

How VFX played a surprisingly large role in making the latest season of Only Murders in the Building an aesthetic tour de force

Going up to Eleven

July 19th, 2022

Stranger Things is back for a fourth season and, as DOP Caleb Heymann tells us, it’s arguably his most challenging project yet

Star Trek DoP talks Cooke Anamorphic lenses

May 12th, 2022

DoP Glen Keenan shares his experience with the Anamorphic/I Full-Frame Plus Special Flare Lenses on set.

Culture Club

April 27th, 2022

How Jay Rozanski’s crew captured a series of alfresco performances, showcasing Coventry as the UK’s city of culture  

Mixing realities

January 14th, 2022

We talk to industry specialists to explore how virtual production is transforming the craft of filmmaking

The Conjuring: Lighting a Hellscape

August 26th, 2021

Cinematographer Michael Burgess had big shoes to fill for the third instalment of The Conjuring

What’s the future for 120 FPS?

August 26th, 2021

No recent innovation is as contentious as high frame rate technology. But can it be cracked, and what is its future in film?

A reason to take off your pyjamas

May 5th, 2021

Senior box office analyst Delphine Lievens outlines how cinemas will operate in a world of home entertainment

Boys on film

April 13th, 2021

We speak to DOPs, Miles Ridgway and Spike Morris, about celluloid’s rise in short-form video

Camera rental: What’s new?

January 25th, 2021

By discussing a range of trending topics with leading rental houses, we uncover the future of video production

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