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Interviews

Virtual landscape: The Lion King

January 18th, 2021

In an awards season retrospective, we hear from Audrey Ferrara about The Lion King’s ground-breaking VFX work

HDR: The future is now

January 15th, 2021

We talk to the creatives at every stage of HDR's use to find out where we stand – and what the future holds

Painting a story: The Devil All the Time

December 23rd, 2020

The Devil All the Time is many things, not least beautiful. Cinematographer Lol Crawley tells us just how he did it

Acute controversy

November 10th, 2020

We talk to Cuties DOP, Yann Maritaud, to find out more about his unflinching approach to the film’s visuals

Killing Eve: A look to die for

October 1st, 2020

Series 3 of Killing Eve is a masterclass in lighting from cinematographer Julian Court

Welcome to The End Of The F***ing World

December 17th, 2019

Our favourite teen criminals are finally back – or, at least, one of them definitely is. We speak to DOP Benedict Spence about how...

Camera to Cloud

December 3rd, 2019

Serial entrepreneur and technologist Michael Cioni has left Panavision and is introducing us to a new way of working.

Panasonic goes to Hollywood

November 8th, 2019

At the launch event for Panasonic’s Lumix S1H in Los Angeles last month, we interviewed DOP and director Peter Hamblin, who had exclusive use...

PIX and CODEX unite under X2X Media Group 

November 7th, 2019

X2X makes products for the media and entertainment industries which include production solutions such as high-performance recording and workflow tools in support of camera...

It’s Raining Men, Omen

May 24th, 2019

Or does the apocalypse bring raining locusts? We talk to DOP Gavin Finney about how he created the aesthetic for the impending end.

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