Gear

P2 Media For Drama Use

May 6th, 2010

Panasonic P2 and Rogue Element Films look at 4.2.2 HDTV content delivery using Sony’s F35 and Thomson’s...

Will The World Cup Kick Start 3D?

May 6th, 2010

22.5 million homes will tune into 3D by 2015

Moving Up To The RED

May 5th, 2010

Working on your first feature can be daunting enough without the added pressure of using new technology. Even the name screams caution –...

Grant Petty – Fibre Man

May 5th, 2010

Have you ever thought of using fibre optic cable in your production environment? Overkill? Cost too much? Well Grant Petty knew you would...

Sony’s New 3D Camera

May 4th, 2010

Discover Channel's John Honeycutt announced details of a new Sony 3D camera at the recent SMPTE Digital Cinema Summit. More details came from...

Tapeless Times: How The Earth Made Us

May 3rd, 2010

The start of a new series courses the adoption of tapeless media, workflows and attitudes in to television and feature production. For Part One...

Hit Girls

May 3rd, 2010

DoP Mark Hamilton had his first experience with Arri’s increasingly popular D21 digital cinematography camera systemHit Girls is a light hearted action ‘short’ about...

Why You Should Shoot Data And Not Film

April 30th, 2010

To shoot data successfully you might think you need a leap of faith but Digilab London’s Miguel Ferros reckons you’ve already been thinking about...

Harry Brown

April 30th, 2010

When Sony announced the F35 camera at the end of 2007, there was a certain amount of surprise because their F23 ‘two thirds’ sensor...

A LUT And How To Use It

April 30th, 2010

Dan Mulligan Of Rogue Element Films Gives His advice On The Use And Abuse Of Look Up Tables (LUTs) in Digital Cinematography.

Gear

Instagram

Newsletter