production

Lens logic: Femme

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Neo-noir thriller Femme follows two gay men as they wrestle with identity. Katie Kasperson hears from DOP James Rhodes on how both storylines were... Read More

Pure imagination: Wonka

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An Oompa Loompa, giraffes and a chocolate waterfall. Will Lawrence talks creating Wonka’s madcap visual effects with Framestore’s Graham Page Read More

Survival saga: Society of the Snow

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DOP Pedro Luque takes Nicola Foley through lensing Society of the Snow, Netflix’s breathtaking Andes flight disaster film Read More

Grade Expectations

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Colourist Toby Tomkins talks about the process of creating distinct worlds and working in HDR for the first time for the BBC/Hulu adaptation of... Read More

The hills are alive: Songs of Earth

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Directed by Norwegian native Margreth Olin, Songs of Earth sees – and hears – Scandinavia cast in a whole new light Read More

Triple threat: The Creator

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In hotly anticipated sci-fi The Creator, cinematographer Oren Soffer artfully incorporates natural aesthetics to construct an engaging AI-driven storyline. Collaborating with Grieg Fraser and... Read More

I Think You Should Leave

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The DOP for popular sketch show I Think You Should Leave explains the challenges of shooting a hit run-and-gun comedy series in a matter... Read More

Nine-inch tales: Brave Creatures

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World leading VFX specialist Adam Valdez explains how he filmed nine-inch creatures for a solo project, Brave Creatures Read More

The Rig: All at sea

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Supernatural thriller The Rig made waves on release early this year, but required a huge effects effort to provide its creepy edge. Primary VFX’s... Read More

Taking my shot: A snooker prodigy

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Filming a snooker prodigy on his journey to becoming a professional player may sound straightforward, but in the world of TV, creating content for... Read More