production

December 19th, 2022

The Devil's Promise director Colin Teague explains how you make a blockbuster with poor internet connectivity – and an FX company hit by war

December 19th, 2022

Many production companies never get their idea commissioned – or funded – but that doesn’t mean it can’t get made

November 23rd, 2022

With Navalny, Niki Waltl pairs thrilling subject matter with cutting visuals fit for cinema. However, this tale is grounded firmly in reality

November 22nd, 2022

A tight schedule, brand-new kit and a huge studio gave Joe Ransom a major challenge shooting a Litepanels commercial. With the help of CVP,...

November 22nd, 2022

We delve into how Attenborough’s Wonder of Song was filmed in the UK, Germany and Australia – in the midst of the Covid-19 outbreak

November 16th, 2022

The FilmLight Colour Awards winners were announced on Sunday, 13 November at EnergaCAMERIMAGE

November 11th, 2022

ACF advised the partnership, marking their third deal in two months

November 3rd, 2022

The free event is open to camera assistants of all levels

October 11th, 2022

Award-winning VFX studio, Milk, moves to London’s Clerkenwell House and introduces eight new hires

September 26th, 2022

In the era of virtual production, the role of first AC has changed, says Jim McLean. He recounts the exciting challenge of a recent...

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