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Arri Re-writes Alexa Camera Range

February 20th, 2013

Arri has replaced its entire Alexa range (except for the original model) with the...

Shooting And Editing Life Of Pi

February 19th, 2013

Pi in the tank with a CGI Richard Parker. Capturing The Golden...

How To: Do ArriRAW Properly Part One

February 19th, 2013

Skyfall used ArriRAW to set it’s look.After the release of Gambit last November, written by...

New Arri Accessories For Sony’s 4K Cameras

January 28th, 2013

Arri have been Quick To The Market With Their High Quality Camera AccessoriesARRI...

Case Study: Great Expectations

July 31st, 2012

Great adaptation of Great ExpectationsIn last month’s issue we talked to Gavin Struthers about his...

ALEXA M Cameras Outfit Omnicam 7K x 2K Panorama

May 28th, 2012

The Omnicom with six Arri M Cameras to capture footage in ultra-high resolutionThe Omnicam,...

Grading Great Expectations

March 26th, 2012

Magwitch, actor Ray Winstone, escapes the CGI prison ships. Heavy ‘on camera’ filtering sets the...

Oscar’s Best Films Still Like Celluloid

February 23rd, 2012

Out of the nine nominees for best film only two were shot digitallyEvery...

Case Study: Rampart

December 29th, 2011

Rampart was one of the first movies to record 4:4:4 colour space direct to...

Codex/ArriRAW Combination Gaining Momentum

December 22nd, 2011

On the set of Extremely Loud and Incredibly CloseExtremely Loud and Incredibly Close, director...

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