Post

Valley of the Dolls

---

Kevin Baillie, VFX supervisor on Welcome to Marwen, explains how he brought the dolls to life. Read More

Leaving the Valley

---

The Polar Express and A Christmas Carol paved the way for director Robert Zemeckis’ latest feature, in which life-like dolls bring the story to... Read More

Frock Horror

---

This three-headed 18th-century romp continues the resurgence of film use for movies and commercials. Read More

Space Race

---

Volumetric capture is in its infancy but Microsoft and Intel are leading the land grab with new studios and new customers... Read More

Colour Capers

---

Paddington 2 takes the colour from the first film and bends the management rules. Technicolor senior colourist Peter Doyle explains how it was done. Read More

Lion Raw

---

Colourist Olivier Fontenay talks to Definition about how he approached colour sensitively to create a natural look that supported the narrative of the movie. Read More

The art of digital gelling

---

We talked with CEO of Cineo Lighting Rich Pierceall about the lighting challenges we all face with the feast of oncoming technology. Read More

Apeing The Anime

---

The production journey of the live-action version of Ghost in the Shell was never going to be smooth – which piled the pressure on... Read More

Spatial, The Final Frontier

---

DSpatial is a suite of ProTools plug-ins designed to allow immersive 3D above and beyond object-based audio systems. Rafael Duyos describes how it works. Read More

Oasis: SUPERSONIC

---

Colourist Greg Fisher gives us an exclusive insight into how he delivered the final grade for Mat Whitecross’s new music documentary, Oasis: Supersonic. Read More