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Nothing better than the real thing?

September 24th, 2019

There was the movie Babe, with real animals talking with animated mouths. There was Avatar, with a few motion-captured aliens mixing it with real...

Digital Rivers

August 29th, 2019

Discover how the Samsung Portable SSD X5 and faster internet lines are helping regional VFX studios stay ahead of the game.

Nuclear fusion

July 3rd, 2019

Technicolor’s highly experienced colourist Jean-Clément Soret put the eighties aesthetic on Sky’s new Chernobyl drama, while keeping it real.

Filming in Ryme City

June 26th, 2019

Why does conventional wisdom demand that a film with digital characters has to be captured digitally? Pokémon Detective Pikachu blows that theory out of...

Autodesk Release New Software Tool Flame 2020

April 4th, 2019

The new toolset uses machine learning analysis algorithms to isolate and modify common objects in moving footage—essentially automatically...

Adobe Launch Video and Audio Editing Upgrades Ahead of The 2019 NAB Show

April 4th, 2019

Video and audio editing upgrades have been installed in Adobe Creative Could including Content-Aware Fill, Mask Tracking and audio mixing refinements...

Colour Grading Company, Wash, Relocates to New Central London Facility

March 13th, 2019

Following two years of rapid growth, Hackney-born Wash has announced its move to a brand new central London facility as it looks to improve...

Valley of the Dolls

February 27th, 2019

Kevin Baillie, VFX supervisor on Welcome to Marwen, explains how he brought the dolls to life.

Leaving the Valley

February 27th, 2019

The Polar Express and A Christmas Carol paved the way for director Robert Zemeckis’ latest feature, in which life-like dolls bring the story to...

Frock Horror

February 18th, 2019

This three-headed 18th-century romp continues the resurgence of film use for movies and commercials.

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