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Valley of the Dolls

February 27th, 2019

Kevin Baillie, VFX supervisor on Welcome to Marwen, explains how he brought the dolls to life.

Leaving the Valley

February 27th, 2019

The Polar Express and A Christmas Carol paved the way for director Robert Zemeckis’ latest feature, in which life-like dolls bring the story to...

Frock Horror

February 18th, 2019

This three-headed 18th-century romp continues the resurgence of film use for movies and commercials.

Space Race

May 17th, 2018

Volumetric capture is in its infancy but Microsoft and Intel are leading the land grab with new studios and new customers...

Colour Capers

January 15th, 2018

Paddington 2 takes the colour from the first film and bends the management rules. Technicolor senior colourist Peter Doyle explains how it was done.

Lion Raw

November 7th, 2017

Colourist Olivier Fontenay talks to Definition about how he approached colour sensitively to create a natural look that supported the narrative of the movie.

The art of digital gelling

November 7th, 2017

We talked with CEO of Cineo Lighting Rich Pierceall about the lighting challenges we all face with the feast of oncoming technology.

Apeing The Anime

August 30th, 2017

The production journey of the live-action version of Ghost in the Shell was never going to be smooth – which piled the pressure on...

Spatial, The Final Frontier

March 7th, 2017

DSpatial is a suite of ProTools plug-ins designed to allow immersive 3D above and beyond object-based audio systems. Rafael Duyos describes how it works.

Oasis: SUPERSONIC

March 6th, 2017

Colourist Greg Fisher gives us an exclusive insight into how he delivered the final grade for Mat Whitecross’s new music documentary, Oasis: Supersonic.

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