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Insight

Minari: Organic filmmaking

April 1st, 2021

Oscar-tipped Minari pairs a heartfelt, coming-of-age story with beautifully understated cinematography from DOP Lachlan Milne

Camera rental: What’s new?

January 25th, 2021

By discussing a range of trending topics with leading rental houses, we uncover the future of video production

Virtual landscape: The Lion King

January 18th, 2021

In an awards season retrospective, we hear from Audrey Ferrara about The Lion King’s ground-breaking VFX work

HDR: The future is now

January 15th, 2021

We talk to the creatives at every stage of HDR's use to find out where we stand – and what the future holds

Painting a story: The Devil All the Time

December 23rd, 2020

The Devil All the Time is many things, not least beautiful. Cinematographer Lol Crawley tells us just how he did it

Aerial special: Getting off the ground

November 10th, 2020

Our annual aerial special includes plenty of innovation and determination from key players

Acute controversy

November 10th, 2020

We talk to Cuties DOP, Yann Maritaud, to find out more about his unflinching approach to the film’s visuals

Killing Eve: A look to die for

October 1st, 2020

Series 3 of Killing Eve is a masterclass in lighting from cinematographer Julian Court

Lens Flare special: Flare necessities

September 1st, 2020

When you think of flares, J.J. Abrams and Star Trek may come to mind – but lens designers are coming up with ever more...

Official figures from the BFI reveal the highest spend ever on film and television production

January 30th, 2020

The BFI has revealed that international investment in film and television in 2019 generated a huge uplift for the UK economy with £3.07 billion.

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