Insight

Year of the dragon

December 16th, 2022

As the prequel to an HBO juggernaut, House of the Dragon had beastly shoes to fill. The man behind VFX for the big-budget series...

Peak power: Creating The Soloist VR

November 24th, 2022

When filming in extreme conditions, having reliable equipment is absolutely paramount

Wildscreen at 40

November 24th, 2022

Sir David Attenborough, Pope Francis, a drag queen and an Amazonian chief mark the festival’s first hybrid event

A real fake story

November 23rd, 2022

The man behind a documentary about Thunderbirds creator Gerry Anderson explains why deepfake is not taboo

Stranger than fiction

November 23rd, 2022

With Navalny, Niki Waltl pairs thrilling subject matter with cutting visuals fit for cinema. However, this tale is grounded firmly in reality

CVP: Ransom demands

November 22nd, 2022

A tight schedule, brand-new kit and a huge studio gave Joe Ransom a major challenge shooting a Litepanels commercial. With the help of CVP,...

Singing through a pandemic: David Attenborough’s Wonder of Song

November 22nd, 2022

We delve into how Attenborough’s Wonder of Song was filmed in the UK, Germany and Australia – in the midst of the Covid-19 outbreak

Blonde ambition

November 2nd, 2022

Chayse Irvin’s Blonde cinematography paints a fragmented fiction of history’s most famed actress – wilfully disruptive and emotionally charged in equal measure

Cloud forecast

November 2nd, 2022

From camera to cloud to remote post-processing, is the industry’s physical media on its last legs? If so, what’s in store – and when?...

Special (effects) agent

November 1st, 2022

Bond turned 60 last month. To celebrate, Definition asked Chris Corbould OBE – the man responsible for visual effects on 15 of the movies...

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