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Cinematography

Distorted perspectives

January 24th, 2022

How anamorphic lenses and a telescoping crane help lure us into a false sense of security in You

Setting Squid Game

January 14th, 2022

The world was blown away by the Korean Netflix sensation Squid Game, but it’s the astonishing sets that have helped it soar into stardom

The dark side of fashion

January 14th, 2022

Through use of costume, lighting and locations, House of Gucci brings to life the tragic tale of an iconic Italian family

Bright light and nightlife

January 14th, 2022

DOP Eben Bolter discusses LED screens, HDR monitoring and other colourful solutions for the production of Night Teeth

A light on saints and sinners: The Many Saints of Newark

October 26th, 2021

Kramer Morgenthau on the revival of one of the world's most beloved TV shows for the big screen

In the Deep End: Vigil’s Production Secrets Uncovered

October 8th, 2021

DOP Matt Gray uncovers the production secrets of the BBC’s gripping submarine thriller, Vigil

It’s a Joy: crafting the vibrancy and heartache of It’s a Sin

September 6th, 2021

DOP David Katznelson on capturing joy amidst a crisis in the 1980s gay community for highly acclaimed drama, It’s A Sin

The Conjuring: Lighting a Hellscape

August 26th, 2021

Cinematographer Michael Burgess had big shoes to fill for the third instalment of The Conjuring

What’s the future for 120 FPS?

August 26th, 2021

No recent innovation is as contentious as high frame rate technology. But can it be cracked, and what is its future in film?

ARRI opens new mixed reality studio

June 18th, 2021

ARRI has just announced the opening of its new, state-of-the-art mixed reality studio in the UK

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