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Productions

Cruella: Two sides to every story

June 7th, 2021

Nicolas Karakatsanis reveals why he used two different sensors to capture the origin story of Cruella

Gunda: A pig’s life

June 1st, 2021

Gunda employs careful filmmaking techniques to offer an intimate look at the lives of a sow and her piglets

Behind Her Eyes: Good, clean thrills

May 5th, 2021

Felix Wiedemann captured clear and detailed imagery for Behind Her Eyes. He talks naturalism, nightmares and more

Minari: Organic filmmaking

April 1st, 2021

Oscar-tipped Minari pairs a heartfelt, coming-of-age story with beautifully understated cinematography from DOP Lachlan Milne

Aerial special: Getting off the ground

November 10th, 2020

Our annual aerial special includes plenty of innovation and determination from key players

Lens Flare special: Flare necessities

September 1st, 2020

When you think of flares, J.J. Abrams and Star Trek may come to mind – but lens designers are coming up with ever more...

Official figures from the BFI reveal the highest spend ever on film and television production

January 30th, 2020

The BFI has revealed that international investment in film and television in 2019 generated a huge uplift for the UK economy with £3.07 billion.

One year on

January 28th, 2020

We look at how CVP turned pro video retail on its head in 2019 by opening a five-storey showroom dedicated to first-rate customer service.

On Location

January 24th, 2020

Singing rhinos, skydiving walruses and jowl-thwacking seals. Producers Fredi Devas and Emma Napper reveal how they filmed...

Space blast

January 24th, 2020

When DOP Eben Bolter got the job on Armando Iannuci’s new space comedy, he went from his normal single-camera drama to multicam cinematic improv.

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