Productions

Stranger than fiction

November 23rd, 2022

With Navalny, Niki Waltl pairs thrilling subject matter with cutting visuals fit for cinema. However, this tale is grounded firmly in reality

CVP: Ransom demands

November 22nd, 2022

A tight schedule, brand-new kit and a huge studio gave Joe Ransom a major challenge shooting a Litepanels commercial. With the help of CVP,...

Singing through a pandemic: David Attenborough’s Wonder of Song

November 22nd, 2022

We delve into how Attenborough’s Wonder of Song was filmed in the UK, Germany and Australia – in the midst of the Covid-19 outbreak

Blonde ambition

November 2nd, 2022

Chayse Irvin’s Blonde cinematography paints a fragmented fiction of history’s most famed actress – wilfully disruptive and emotionally charged in equal measure

Special (effects) agent

November 1st, 2022

Bond turned 60 last month. To celebrate, Definition asked Chris Corbould OBE – the man responsible for visual effects on 15 of the movies...

Sony for Cinema

September 30th, 2022

Sony’s 4K Super 35 Camera, the FX30, expands its cinema line and is made for anyone looking to start filmmaking

The speed of light

September 28th, 2022

Shunning big rigs and weighty supports, DOP Danny Vecchione opted for a lighter handheld set-up on his latest movie Down with the King

Rift: Animation continuum

September 9th, 2022

Bridging Unreal Engine and DaVinci Resolve, director Haz Dulull broke the mould with new feature film Rift. Its exciting workflow is more efficient, supremely...

Pachinko: (Not) Done by the book

September 8th, 2022

Pachinko challenges the viewer to invest early, and reap the benefits of a tale for generations

Spy games in Slow Horses

July 27th, 2022

Oscar-winning actor Gary Oldman’s first TV lead role sees a British espionage drama with a difference – the spies are rubbish. Cinematographer Danny Cohen...

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